I don’t begin a novel until I have written, not just the last sentence, but usually, as a result thereof, many of the surrounding final paragraphs, so that in addition to knowing what happens, I know what the voice is.
JOHN IRVINGIt’s a no-win argument – that business of what we’re born with and what our environment does to us. And it’s a boring argument, because it simplifies the mysteries that attend both our birth and our growth.
More John Irving Quotes
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I think now that is the nature of hymns-they make us want to repeat them…they are a part of any service, and often the only part of a funeral service, that makes us feel everything is acceptable.
JOHN IRVING -
If you presume to love something, you must love the process of it much more than you love the finished product.
JOHN IRVING -
Kids are beautiful, man. And they know much more than grownups think they know. Kids are just perfect people until grownups get their hands on them.
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He also knew that rivals are best unmanned by being ignored.
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Don’t forget this, too: Rumors aren’t interested in the unsensational story; rumors don’t care what’s true.
JOHN IRVING -
If we live long enough, we become caricatures of ourselves.
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In an episodic treatment, such as a teleplay is, you have the ability to do what you can do in a novel, which is flash back and flash forward in the same instant, in the same scene, in the same voice.
JOHN IRVING -
The excitement of anticipation was *almost* equal to the thrill of lovemaking.
JOHN IRVING -
No one but me ever put a hand on me to feel that baby. No one wanted to put his ear against it and listen…You shouldn’t have a baby if there’s no one who wants to feel it kick or listen to it move.
JOHN IRVING -
In increments both measurable and not, our childhood is stolen from us — not always in one momentous event but often in a series of small robberies, which add up to the same loss.
JOHN IRVING -
You can’t say you’re going to ban something in the name of good taste, because then you have directed someone to play the role of good-taste police. We – Americans – permit bad taste in this country. In fact, we even encourage it.
JOHN IRVING -
I’ve always preferred writing in longhand. I’ve always written first drafts in longhand.
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We permit bad taste in this country. In fact, we even encourage it – and reward it in all manner of ways.
JOHN IRVING -
What is hardest to accept about the passage of time is that the people who once mattered the most to us wind up in parentheses.
JOHN IRVING -
In this world,” Franny once observed, “just as you’re trying to think of yourself as memorable, there is always someone who forgets that that they have met you.
JOHN IRVING