The first thing I think of when I think about coming to Las Vegas and playing is always Elvis; its always the first thing on my mind.
BRANDI CARLILEThere are still civil rights issues. There are still people who can’t be visited by their spouse in the hospital because they’re gay. These are humanitarian issues. At the end of the day, all you want is for people to be happy in the pursuit of life, love and liberty.
More Brandi Carlile Quotes
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I feel like a lot of the singer-songwriters in my genre and in my generation have gotten more and more snooty about covering other people’s songs. They believe that creativity is the intersect of expression.
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Bear the burdens of others, but don’t put them in your pocket too.
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There is a creator and a redeemer, and the purpose of it all is love.
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Writing is sort of putting a puzzle together halfway. Then, performing it has always been the completion of it. Once that happens, I’m feeling verbally communal with other people. It’s out there and I feel so much better about it.
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There are still civil rights issues. There are still people who can’t be visited by their spouse in the hospital because they’re gay. These are humanitarian issues. At the end of the day, all you want is for people to be happy in the pursuit of life, love and liberty.
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I have vocal trouble from time to time associated with sleep or wine! Or from sleeping in a bunk the size of a coffin and breathing in bus air conditioning all day.
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Coffee, whiskey, and fishing poles. That’s really all you need in life.
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I’m not sure I’ll ever be famous by anyone’s definition. I can only hope to be allowed by the audience to continue my life’s work.
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My mother’s a singer and my mother’s father is a singer, and everyone on both sides are all country-western bluegrass musicians.
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I tend to feel really protective of songs, and if they aren’t sitting well in a record, I’ll pull them tight to my chest until I feel it’s a better time.
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The oppression of women is the single most corrosive and urgent problem of our time.
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I’d love to claim the title of ‘songwriter’ or ‘intellectual,’ but the truth is that anything that I ever learned how to do in conjunction with music was purely so that I would have a platform to sing from.
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But now, with the last two years of touring and being on the road, I’ve learned that a live show should never sound like a record; a record should sound like a live show.
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My advice to new artists is to embrace a broader concept of timelessness than vintage or retro.
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So much of the way a singer physically damages their voice could be caused by stress or nerves. I would never be so brazen as to assume that it’s the only problem but there’s got to be a reason that a martial artist can harness enough peace to smash his head through a cinder block without leaving a scratch.
BRANDI CARLILE