The one thing I noticed retroactively was that the energy at those Trump rallies was off the charts compared to the Hillary Clinton rallies. The Bernie Sanders energy was as good, gentler, but there was a real passion there.
GEORGE SAUNDERSWhen you’re embarking on a piece of writing, the anxiety is just too much, especially when you’re young and you’re trying to figure out if this is your thing or not. You feel like, “if I don’t write a good story, I gotta get going to law school!”
More George Saunders Quotes
-
-
I actually believe that a lot of what people call originality has to do with persistence in the craft.
GEORGE SAUNDERS -
If I can be more efficient, I’m actually being more respectful to the reader, which then implies a greater intimacy with the reader.
GEORGE SAUNDERS -
And the brevity is part of the challenge. I like stories because I get them – I know how to make beauty, or something like beauty, in that mode.
GEORGE SAUNDERS -
If you think of a work of fiction as a kind of scale model of the world, then the positive valences – where things turn out better than you thought they would – ought to be in there somewhere, too.
GEORGE SAUNDERS -
I’ve noticed that nowadays I’m doing a lot of stuff on the phone and on the computer, which I usually wouldn’t do earlier. And I can feel my brain being rewired:
GEORGE SAUNDERS -
It seems to me that there are certain thoughts and vignettes and attitudes that I have always had the desire to represent.
GEORGE SAUNDERS -
When I think about what fiction does morally, I’m happier thinking of a person full of multiplicities – sort of fragmented.
GEORGE SAUNDERS -
I have nothing. My model is I have nothing figured out, and I’m starting with some little nugget and hoping that it will talk back to me enough to let it grow.
GEORGE SAUNDERS -
One of the things I noticed about the Trump supporters was a lot of projected fear. I can’t tell you how many times a conversation went like this: “We’ve got to stop these immigrants, because it’s terrible.” I’d say, “Okay, what personally have you observed about this?” And there would be basically nothing in that box. And I’d say, “Where’d you get your information?” thinking they were going to say Fox. But they would always say, “Well, I get my information from all kinds of sources.” Fox is kind of center-left to a lot of people now.
GEORGE SAUNDERS -
I find that the great artists I’ve met are people who are so playfully invested in their process that, even if it doesn’t come out the way they like, they still power through and even take energy from it.
GEORGE SAUNDERS -
You don’t want to be that parent – the one who dresses his kid in a cloth sack when all the other kids are in Armani cloth sacks – especially in a time like ours, when materialism is not only rampant and ascendant but is fast becoming the only game in town.
GEORGE SAUNDERS -
All traditions are also full of meanness for the sake of meanness.
GEORGE SAUNDERS -
Whenever you talk about writing I think you have to remember that it all has a big question mark over it – every word has a big question mark over it.
GEORGE SAUNDERS -
The artist’s job, I think, is to be a conduit for mystery. To intuit it, and recognize that the story-germ has some inherent mystery in it, and sort of midwife that mystery into the story in such a way that it isn’t damaged in the process, and may even get heightened or refined.
GEORGE SAUNDERS -
I tend to foster drama via bleakness. If I want the reader to feel sympathy for a character, I cleave the character in half, on his birthday. And then it starts raining. And he’s made of sugar.
GEORGE SAUNDERS






