Sometimes they are a matter of luck, sometimes of patience, waiting for an effect to be repeated that you have seen. It is usually some incidental detail that heightens the effect of a picture, stressing a pattern, deepening the sense of atmosphere.
BILL BRANDTBy temperament I am not unduly excitable and certainly not trigger-happy. I think twice before I shoot and very often do not shoot at all.
More Bill Brandt Quotes
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I photographed what the camera was seeing. I interfered very little, and the lens produced anatomical images and shapes which my eyes had never observed.
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A feeling for composition is a great asset. I think it is very much a matter of instinct. It can perhaps be developed, but I doubt if it can be learned.
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We are most of us too busy, too worried, too intent on proving ourselves right, too obsessed with ideas to stand and stare
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The vital elements are often momentary, change-sent things … a gleam of light on water, a trail of smoke from a passing train, a cat crossing the threshold.
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The photographer must possess and preserve the receptive faculties of a child who looks at the world for the first time.
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Photography is still a very new medium and everything must be tried and dare.
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Very rarely are we able to free our minds of thoughts and emotions and just see for the simple pleasure of seeing. And so long as we fail to do this, so long will the essence of things be hidden from us.
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Photographers should follow their own judgment, and not the fads and dictates of others. Photography is still a very new medium and everything is allowed and everything should be tried and dared…
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By professional standards I do not waste a lot of film; but by the standards of many of my colleagues I probably miss quite a few of my opportunities. Still, the things I am after are not in a hurry as a rule.
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The good photographer will produce a competent picture every time whatever his subject. But only when his subject makes and immediate and direct appeal to his own interests will he produce a work of distinction.
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And only the photographer himself knows the effect he wants. He should know by instinct, grounded in experience, what subjects are enhanced by hard or soft, light or dark treatment.
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When I began to photograph nudes, I let myself be guided by this camera, and instead of photographing what I saw,
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Andre Breton once said that a portrait should not only be an image but an oracle one questions, and that the photographer’s aim should be a profound likeness, which physically and morally predicts the subject’s entire future.
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Photography is not a sport. It has no rules. Everything must be dared and tried!
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A photographer must be prepared to catch and hold on to those elements which give distinction to the subject or lend it atmosphere.
BILL BRANDT