When somebody says something I don’t agree with, I say I’d rather not. It comes to the point where that is the strongest form of resistance. As a Mexican, it took me a long while to learn one word in English, “no”. And that is the one word we have in common.
GUILLERMO DEL TOROYou can’t explain success in retrospect. The moment you leap into the void, that moment is impossible to negate, after success.
More Guillermo del Toro Quotes
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At some point, in order to gain his identity, the kid goes “I’m not my dad” or “I’m not my mom.”
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The underground of the city is like what’s underground in people. Beneath the surface, it’s boiling with monsters.
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Your heart is uncomplicated. It knows what it knows and acts accordingly. Greater wisdom is hard to find.
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The fairies in the ancient notion of fairies, they are not positive and cute and twinkly.They can be incredibly nasty or they can be incredibly benign. It’s a really interesting mythology when you dig into it.
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I like John Carpenter. I like some of his films more than others
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Movies that look safe are less interesting.
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Somebody said to me, in a very well-meaning way, at a screening, “We love the movie but it’s too violent. If you tone down the violence you could reach a great audience of kids.”.
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When I stage a violent scene, I try for it to serve a purpose. I do love those things, the makeup effects. But I love them more with the monsters. I never was much of a gore guy. I’ve always enjoyed just creating monsters.
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I think once a Catholic, always a Catholic. You never escape. I still have Catholic guilt. It is in its basis a really powerful religion and a really strong set of beliefs. They permeate my work in many ways.
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Its a bit cloudy in London but people are already drinking out on the streets- God Bless the pubs.
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I think when the joke comes from the situation in a horror film, it’s really great. I don’t like jokey horror films like where people are cracking a joke or being post-modern about it.
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I see horror as part of legitimate film. I don’t see it as an independent genre that has nothing to do with cinema.
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For Devil’s Backbone I loved it but I felt very pressured but so I was neurotic on the shoot.
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I love REAL set construction and think that sets are very important part of the storytelling and scope of a film.
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If you’re doing a big spectacle film, you’ve got to be mindful of large masses. Even then, you’ve got to be responsible only to your storytelling.
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