The biggest problem with American music right now, is that kids don’t listen. They come by it honestly, Americans don’t listen anyway.
BRANFORD MARSALISThe way to learn the language is to rip off other players. As Benny Golson told me, “We all start off sounding like other cats.
More Branford Marsalis Quotes
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Humans are imperfect. That’s one of the reasons that classical and jazz are in trouble. We’re on the quest for the perfect performance and every note has to be right. Man, every note is not right in life.
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My dad was a musician, it was just what he did, like another guy’s dad drives a meat truck. Our house was normal. We weren’t taken with the fact our dad was a musician.
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You don’t know what you like, you like what you know. In order to know what you like, you have to know everything.
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You know, being America, being the land of “number ones”, everyone wants to be a leader before they follow.
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The whole point is, give me a break with the standards. You go to the average jazz label and suggest a record and they want to know which standards you’re going to play. I’m saying let’s break the formula.
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Walter Beasley is an anomaly: a successful performing musician who possesses the rare skill of understanding the musical process beyond the intuitive. T
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Coltrane came to New Orleans one day and he was talking about the jazz scene. And Coltrane mentions that the problem with jazz was that there were too few groups.
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What is jazz? It, It’s almost like asking, What is French? Jazz is a musical language. It’s a musical dialect that actually embodies the spirit of America.
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One of the things that I loved about listening to Miles Davis is that Miles always had an instinct for which musicians were great for what situations. He could always pick a band, and that was the thing that separated him from everybody else.
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Pop doesn’t really look back. It can’t. What makes pop work is simplicity.
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When people go to concerts, they say I’m going to see… not, I’m going to hear.
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What you have to do is play a couple of songs and then get off the stage because everything that trails it sounds stupid.
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It’s hard to get into Newsweek because, as more of our former intellectual magazines take on a pop focus, if there’s no buzz, there’s no interest.
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The piano is the X factor. People have a tough time following the structures when there’s no piano there, spelling it out. It makes it more easily understood, particularly to people who don’t know as much about music.
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My job is to write songs that have emotional meaning to me.
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