black
grey
blue
red
brown
white

Clouds, torsos, shells, peppers, trees, rocks, smoke stacks, are but interdependent, interrelated parts of a whole, which is life.

Edward Weston

Photography to the amateur is recreation, to the professional it is work, and hard work too, no matter how pleasurable it my be.
EDWARD WESTON

Hard Work Matter Photography
……so called “composition” becomes a personal thing, to be developed along with technique, as a personal way of seeing.
EDWARD WESTON

Composition Technique Way
I was extravagant in the matter of cameras – anything photographic – I had to have the best. But that was to further my work. In most things I have gone along with the plainest – or without.
EDWARD WESTON

Cameras Matter Photography
I am not limiting myself to theories, so I never question the rightness to my approach.
EDWARD WESTON

Approach Theory
If I am interested, amazed, stimulated to work, that is sufficient reason to thank the gods, and go ahead!
EDWARD WESTON

Amazed Interest Reason
For the obvious reason that nature – unadulterated and unimproved by man – is simply chaos. In fact, the camera proves that nature is crude and lacking in arrangement.
EDWARD WESTON

Arrangement Cameras Facts Lack Men
“Only with effort can the camera be forced to lie: basically it is an honest medium: so the photographer is much more likely to approach nature in a spirit of inquiry, of communion, instead of with the saucy swagger of self-dubbed “artists”.”
EDWARD WESTON

Artist Lying Photography
The camera should be used for a recording of life, for rendering the very substance and quintessence of the thing itself, whether it be polished steel or palpitating flesh.
EDWARD WESTON

Photography Steel Substance
The photograph isolates and perpetuates a moment of time: an important and revealing moment, or an unimportant and meaningless one, depending upon the photographer’s understanding of his subject and mastery of his process.
EDWARD WESTON

Important Photography Understanding
If I have any ‘message’ worth giving to a beginner it is that there are no short cuts in photography.
EDWARD WESTON

Cutting Giving Photography
This then: to photograph a rock, have it look like a rock, but be more than a rock.
EDWARD WESTON

Looks Photography Rocks
The great scientist dares to differ from accepted ‘facts’ – think irrationally – let the artist do likewise.
EDWARD WESTON

Artist Facts Thinking
There is nothing like a Bach fugue to remove me from a discordant moment… only Bach hold up fresh and strong after repeated playing. I can always return to Bach when the other records weary me.
EDWARD WESTON

Photography Records Strong
Anything more than 500 yards from the car just isn’t photogenic.
EDWARD WESTON

Car Photography Yards
When money enters in – then, for a price, I become a liar – and a good one I can be whether with pencil or subtle lighting or viewpoint. I hate it all, but so do I support not only my family, but my own work.
EDWARD WESTON

Hate Liars Support
Why limit yourself to what your eyes see when you have an opportunity to extend your vision?
EDWARD WESTON

Eye Opportunity Vision

Clouds, torsos, shells, peppers, trees, rocks, smoke stacks, are but interdependent, interrelated parts of a whole, which is life.

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Clouds, torsos, shells, peppers, trees, rocks, smoke stacks, are but interdependent, interrelated parts of a whole, which is life.

Related Topics

Popular Authors

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