When I had my Comedy Central roast, David [Spade] was my first choice to be roastmaster, because I adore him. He’s funny as hell, and nobody is meaner.
Contrary to popular belief, I don’t go out very much. When I do go out, a lot of times it’ll be to something like a heavyweight fight, and I’ll be photographed, so that people have this conception that I go out a lot.
Directors are not worried about casting beautiful women, but they are not sure that they want to cast great-looking men. My looks have prevented people from seeing my work objectively.
I think [The Outsiders] really forged who I am as an actor, and it’s one of the reasons why I keep being drawn to big ensembles where I’m surrounded by strong, successful actors or personalities. Because that was my initial foray into movie making.
[The Outsiders] was all new to me. It’s been fun to be a part of that ride, where it’s become on the level of Catcher In The Rye in terms of people’s required reading in schools.
I have been looking forward to this age of my life for a long time. In my twenties, I marked the days on the calendar – I was sick of playing high-school kids.
Some of the ’80s movies I did are sort of museum pieces. St. Elmo’s Fire is great as a sort of kitschy, “Oh, my god, I can’t believe we wore that” type of movie.
In school, I had two or three best guy friends, but mostly if I was just hanging, I’d like to talk to the girls, because they were more interesting. I think they were smarter.
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