Well, there are some things that I just can’t get out of my head, and they start to annoy me after a while.
BRIAN ENOWhen I work there are two distinct phases: the phase of pushing the work along, getting something to happen, where all the input comes from me, and phase two, where things start to combine in a way that wasn’t expected or predicted by what I supplied.
More Brian Eno Quotes
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I love the sort of ambivalence of this, the ambiguity of something – being, for instance, in a quite busy Mexican restaurant with one of these very gentle tracks playing I remember as being particularly nice.
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The great benefit of computer sequencers is that they remove the issue of skill, and replace it with the issue of judgement
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Ambient music is intended to induce calm and a space to think.
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At the beginning of the 20th century, the ambition of the great painters was to make paintings that were like music, which was then considered as the noblest art.
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Sometimes you recognize that there is a category of human experience that has not been identified but everyone knows about it. That is when I find a term to describe it.
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Because if someone does that, you can find your own position in relation to it: what is it that I don’t agree with? In the studio I want to articulate a position clearly enough so that other people can use it – or chuck it away if they don’t want it.
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It’s actually very easy for democracy to disappear.
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People who are very confident in themselves aren’t hurt by criticism. They make use of it.
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When people censor themselves they’re just as likely to get rid of the good bits as the bad bits.
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I’m struck by the insidious, computer-driven tendency to take things out of the domain of muscular activity and put them into the domain of mental activity.
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My lyrics are generated by various peculiar processes. Very random and similar to automatic writing.
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I think that there’s something that I still like about the fact of a package, like the latest report from somebody. “Okay, this is what they’re up to now; this is what they’re doing; who’s working with them?
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We’re going through this super-uptight era, which I think comes entirely from literacy, actually. It’s the result of machines that were designed as word processors being used for making music.
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I wanted quite the opposite of that. I wanted them to accent their styles, so that they pulled away.
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Once you’ve grown to accept something and it becomes part of the system you’ve inherited, you don’t even notice it any longer.
BRIAN ENO