So, good news/bad news: good news that I’m progressing; bad news that life is short and art is long.
GEORGE SAUNDERSWe have to move toward specificity, intelligence, facts, proof, and mutual affection. What I think people have to do now is be very, very assertive about the utter essentiality of intellectual undertakings.
More George Saunders Quotes
-
-
Whatever happens when we die, it would be really weird if it was what we had expected. Even if you were a lifelong Christian believer, it would be kind of weird if there actually were pearly gates.
GEORGE SAUNDERS -
I always describe writing a story as throwing bowling pins in the air and then catching them.
GEORGE SAUNDERS -
I’m very happy – if I can do even a little bit of work to get the short story out more, I’m thrilled.
GEORGE SAUNDERS -
If you have a friend, what’s the best way you can experience her beauty? It’s to really accept her. She’s weird in this way,
GEORGE SAUNDERS -
Whole idea is really intriguing to me. If you took snapshots of ourselves throughout the day, the way that our mind is twisting and turning, then at the moment of death, the mind would be twisting and turning in the same way. But the Buddhists say it’s super-sized because there’s no bodily damper on it.
GEORGE SAUNDERS -
Life is short, very short, and what are we doing here if not trying to become more generous and loving?
GEORGE SAUNDERS -
When something really bad is going on in a culture, the average guy doesn’t see it. He can’t. He’s average and is surrounded by and immersed in the cant and discourse of the status quo.
GEORGE SAUNDERS -
Your first responsibility is to yourself and to your own goodness of heart.
GEORGE SAUNDERS -
Goodbye. I am leaving because I am bored.
GEORGE SAUNDERS -
Suddenly absurdism wasn’t an intellectual abstraction, it was actually realism. You could see the way that wealth was begetting wealth, wealth was begetting comfort – and that the cumulative effect of an absence of wealth was the erosion of grace.
GEORGE SAUNDERS -
My idea about collections is that you write as hard as you can for some period and what you’re really doing during that time is hyper-focusing on the individual pieces – trying to make each one sit up and really do some surprising work.
GEORGE SAUNDERS -
The artist’s job, I think, is to be a conduit for mystery.
GEORGE SAUNDERS -
As the writer of this book [Lincoln in the Bardo], what I loved was the feeling of having so many surprises come at the end that I hadn’t really planned or planted.
GEORGE SAUNDERS -
When I wrote that [Donald] Trump piece, I had this uncomfortable experience of sensing a lot of things that were nascent, that I couldn’t quite articulate. And one of them was this move toward anti-intellectualism. An anti-love move, even.
GEORGE SAUNDERS -
I’m turning 58, and you get that kind of weird, old-guy feeling of you don’t have an infinite number of years left and if there’s anything you want to say or represent, it’s time to try it.
GEORGE SAUNDERS