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I would kind of, you know, go stand next to some unlucky guy and say eventually, Hi, I’m George. You know, I’m with The New Yorker. I’m a liberal. I’m somewhat left of Gandhi. Do you want to talk? And, you know, they always did.

George Saunders

Whatever you love, that will be an influence. It just will. So in effect the young writer’s job is: go out and find some stuff to love.
GEORGE SAUNDERS

Jobs Stuff Young Writers
…smile first, then speak.
GEORGE SAUNDERS

Firsts Smile Speak
We have to move toward specificity, intelligence, facts, proof, and mutual affection. What I think people have to do now is be very, very assertive about the utter essentiality of intellectual undertakings.
GEORGE SAUNDERS

Moving People Thinking
I’m not a big fan of my books going on cross-country road trips. They get arrogant and, next thing, start aspiring to become ‘large-print’ books. I say, let them stay home and be regular small-print books.
GEORGE SAUNDERS

Book Country Home
Goodbye. I’m leaving because I’m bored.
GEORGE SAUNDERS

Bored Goodbye Leaving
I know what it feels like to be in that middle and lower-middle class, and feel like the culture is passing you by; it translates into a great sense of personal frustration that can then morph into political frustration.
GEORGE SAUNDERS

Class Frustration Political
The thing I’ve discovered that is a help is that there isn’t a simple virtue or a simple vice. They’re always connected. If you have Tendency A, that you loathe, you can almost be sure that Tendency B, which you love, is somehow connected to it.
GEORGE SAUNDERS

Love Simple Vices
Success makes opportunities and so many of those “opportunities” are actually exemptions – from hardship, from unfriendliness, from struggle.
GEORGE SAUNDERS

Hardship Opportunity Struggle
I love story-writing because I can (more or less, on occasion) actually DO it. That’s really the truth. I like the idea that a story is sort of a site for making cool language effects – a site for celebrating language, and, therefore, the world.
GEORGE SAUNDERS

Challenges Ideas Writing
I have nothing. My model is I have nothing figured out, and I’m starting with some little nugget and hoping that it will talk back to me enough to let it grow.
GEORGE SAUNDERS

Enough Littles Nuggets
Whenever you talk about writing I think you have to remember that it all has a big question mark over it – every word has a big question mark over it.
GEORGE SAUNDERS

Remember Thinking Writing
One way or the other; whether you get it or don’t get it, there’s a cost. That’s just basic responsibility, to admit that there’s a cost. And the bad karma is when you pretend that the thing is free.
GEORGE SAUNDERS

Free One Responsinbty Thing Time
The artist’s job, I think, is to be a conduit for mystery.
GEORGE SAUNDERS

Artist Jobs Thinking
Twitter is a deliberate abstention. Somehow I hate the idea of there always being, in the back of my mind, this little voice saying: ‘Oh, I should tweet about this.’
GEORGE SAUNDERS

Hate Ideas Voice
I actually believe that a lot of what people call originality has to do with persistence in the craft.
GEORGE SAUNDERS

Believe People Persistence
[Writing] is almost like those boats that sit really low in the water; they look kind of ugly. And then you get one of them up to 80 miles an hour and the hull comes up, and it’s a beautiful thing. I’m okay with that for myself.
GEORGE SAUNDERS

Beautiful Water Writing

I would kind of, you know, go stand next to some unlucky guy and say eventually, Hi, I’m George. You know, I’m with The New Yorker. I’m a liberal. I’m somewhat left of Gandhi. Do you want to talk? And, you know, they always did.

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I would kind of, you know, go stand next to some unlucky guy and say eventually, Hi, I’m George. You know, I’m with The New Yorker. I’m a liberal. I’m somewhat left of Gandhi. Do you want to talk? And, you know, they always did.

Related Topics

Popular Authors

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