I’m very happy to hear that my work inspires writers and painters. It’s the most beautiful compliment, the greatest reward. Art should always be an exchange.
NICK CAVEThat’s what we [outsiders] feel America is really about – the kind of crazed ravings of the Christian right – when it’s probably something quite different.
More Nick Cave Quotes
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Stars have their moments then they die.
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I’m unable to really write the kind of song that doesn’t have a visual element, which most songs don’t.
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We are still struggling with people who don’t feel comfortable going into museums. As a visual artist I ask how artists can be part of enacting a change.
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The writer who refuses to explore the darker regions of the heart will never be able to write convincingly about the wonder, the magic and the joy of love for just as goodness cannot be trusted unless it has breathed the same air as evil.
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And she moves among the sparrows. And she floats upon the breeze. She moves among the flowers. She moves something deep inside of me
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I don’t really care who collects my work, black, white, red, yellow. You have to also be consciously aware of, what does this mean in your home? And how are you supporting this work and the message behind the work?
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Certainly being proficient in an instrument does have its problems. Because the better you get, the more you just start sounding like an ordinary guitarist. There are certainly guitarists that transcend that and do really find their sound and all that sort of stuff.
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The way I go about writing records is that I make a calendar date to start the new record, so I have nothing. I don’t have a bunch of notes that I bring into the office, I start with nothing at all.
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I’m not in the business of telling people what to do. I’m much more in the business of describing things, situations and stuff like that and leaving them out there, and you can make up your minds about them.
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The blues is instilled in every musical cell that floats around your body.
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I see it as my duty in some way is to be out in the world as an Australian putting forward what I consider to be authentic Australian music.
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If you look around, complacency is the great disease of your autumn years, and I work hard to prevent that.
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I think there is a certain perversity in my music in that I continue, you know, to eat at the same ball of vomit year after year.
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Your limitations make you the wonderful disaster you most probably are.
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It’s very important that the music has a sense of adventure to it, and that it’s done by the seat of your pants. There’s a kind of nervy element about it.
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I suspect the older you get the more invisible you become.
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I write hate lyrics really well. It’s not every day you can use them, really.
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The body becomes the carrier for the work. It’s not really about the physical body; it really becomes the apparatus that carries and moves the work. I don’t really consider the body as much; I look at it as a tool.
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To sustain hatred is a very difficult thing to do, year after year. It’s exhausting.
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The singing tells everybody what to do musically.
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Jesus Christ was the biggest blight on the human race, he was. And all them socialists and communists – second rate Christianity.
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I’ve always done a lot of research and stuff around the songs that I write so there are pages and pages of writing and you can kind of see these songs emerging.
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Inspiration is a word used by people who aren’t really doing anything. I go into my office every day that I’m in Brighton and work. Whether I feel like it or not is irrelevant.
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The songs that I like are the ones that you can’t visualize, that are just cries from the heart – those very straight, direct songs that make rock & roll music so wonderful.
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I know when I sit with my band members and we’re playing back a song that we’ve done, I know that they’re experiencing it in a completely different way and hearing stuff that they’re alerted to because the way the interpret the world is through their ears. Mine is through my eyes.
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I have a particular dislike for children’s films. I’m way past the novelty aspect.
NICK CAVE