What happened during the previews of ‘Taboo’ [musical] was that it was the first time I’d ever been written about as a great song-writer.
BOY GEORGEWhen I first went to New York, I didn’t really go out to clubs. It was the height of Culture Club so I didn’t really have a social life. It was only after I had been to New York a few times that I started going out.
More Boy George Quotes
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As a gay man I feel very strongly about those issues around the world – there’ve been huge changes and developments, but there are still places where things are scary.
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Maybe without me, there wouldn’t be Adam Lambert. Without Bowie, there wouldn’t be me. Without Quentin Crisp, there wouldn’t have been Bowie. So everything is part of a big daisy chain.
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A lot of what I’ve been learning in the last two years is due to therapy – about my sexuality, why things go wrong, why relationships haven’t worked. It isn’t anything to do with anybody else; it’s to do with me.
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Whenever there’s an interview with me, I might read it, but I don’t read the comments because they’re so hateful sometimes.
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I think of myself more as a creative-type person, but it’s quite nice to be challenged physically and mentally.
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My mother and father were fantastic, very active. I find it difficult to say this, but I’m quite a loving person and I’ve always been loving to my friends. In the long run, that pays off. I’m very interested in other people, and if you are, they’re interested in you.
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A lot of people felt I was getting work because I was Boy George. My response at the time was that there’s a lot of DJs making records, they’re not all making good records, but they have the right to do that.
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The world is less homophobic, depending on where you are in the world…
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His designs were often breath-taking, but it was the way he used his body that was so utterly new and refreshing.
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The band never actually split up – we just stopped speaking to each other and went our own separate ways.
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I was about 16 when punk started to happen. It was so exciting. You had a social depression going on in the U.K. There was a sanitation strike. London was really grim, gray. You had Margaret Thatcher coming in. It was a really revolutionary time.
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For me with “The Apprentice,” it kind of blew out my business brain. I don’t really think of myself as a business person.
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I was unwelcome in the U.S. for four years.
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I suppose I was seen more as an elder statesman because I had been around the London club scene for so many years. To the Taboo crowd I was really seen as a pop star, someone famous.
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When I go onstage, I’m going to work …I feel like my performance is about an emotional connection. I want to connect with people, whether it’s like a romantic song or a happy song.
BOY GEORGE