With all fashion, what we do is play at being somebody else. We play at inhabiting another kind of world.
BRIAN ENOIt infuriates me that stuff from the Internet routinely doesn’t include all the credits. Because as soon as I listen to something, if I like it, I want to know, “Who’s the bass player?” “Who did that?” “Who’s the engineer on this?
More Brian Eno Quotes
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Perhaps when music has been shouting for so long, a quieter voice seems attractive.
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I got interested in the idea of music that could make itself, in a sense, in the mid 1960s really, when I first heard composers like Terry Riley, and when I first started playing with tape recorders.
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I think we’re about ready for a new feeling to enter music. I think that will come from the Arabic world.
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I’m fascinated by musicians who don’t completely understand their territory; that’s when you do your best work.
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As soon as you externalize an idea you see facets of it that weren’t clear when it was just floating around in your head.
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Quite often, and in fact more often, I would say, I’m struggling all the way through to think, “What is it I like about this? What is the personality of this thing I’m hearing that I like so much?”
BRIAN ENO -
When you look back on a historical period of music, it seems so obvious to you what the characteristics of it are, but they’re not obvious at the time. So, when I look back at my own work.
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I wanted to get rid of the element that had been considered essential in pop music: the voice.
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Painting, I think it’s like jazz.
BRIAN ENO -
My guitar only has five strings ’cause the top one broke and I decided not to put it back on: when I play chords I only play bar chords, and the top one always used to cut me there.
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Well, there are some things that I just can’t get out of my head, and they start to annoy me after a while.
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The basis of computer work is predicated on the idea that only the brain makes decisions and only the index finger does the work.
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Editing is now the easiest thing on earth to do, and all the things that evolved out of word processing – ‘Oh, let’s put that sentence there, let’s get rid of this’ – have become commonplace in films and music too.
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I felt extremely uncomfortable as the focal point, in the spotlight. I really like the behind the scenes role, because all my freedom is there.
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I thought it was magic to be able to catch something identically on tape and then be able to play around with it, run it backwards; I thought that was great for years.
BRIAN ENO






