Through my fiction, I make mainstream readers see the new Americans as complex human beings, not as just The Other.
BHARATI MUKHERJEEI flew into a small airport surrounded by cornfields and pastures, ready to carry out the two commands my father had written out for me the night before I left Calcutta:
More Bharati Mukherjee Quotes
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But, Christ, there’s a difference between exotic and foreign, isn’t there? Exotic means you know how to use your foreignness, or you make yourself a little foreign in order to appear exotic. Real foreign is a little scary, believe me.
BHARATI MUKHERJEE -
I have to put down roots where I decide to stay. It wasn’t enough for me to be an expatriate Indian in Canada. If I can’t feel that I can make social, political and emotional commitments to a place, I have to find another place.
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My life has gotten a little more complicated than my ability to describe it. That used to be the definition of madness, now it’s just continuous overload.
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In the context of lost causes, Mother Teresa took on battles she knew she could win. Taken together, it seems to me, the criticisms of her work do not undermine or topple her overall achievement.
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You see for me, America is an idea. It is a stage for transformation. I felt when I came to Iowa City from Calcutta that suddenly I could be a new person . . . What America offers me is romanticism and hope . . . Suddenly, I found myself in a country where
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[On her writing agenda:] Make the familiar exotic; the exotic familiar.
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We do things when it is our time to do them. They do not occur to us until it is time; they cannot be resisted, once their time has come. It’s a question of time, not motive.
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In traditional Hindu families like ours, men provided and women were provided for. My father was a patriarch and I a pliant daughter.
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Ancestral habits of mind can be constricting; they also confer one’s individuality.
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What was the function of poetry if not to improve the petty, cautious minds of evasive children?
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I had never walked on the street alone when I was growing up in Calcutta, up to age 20. I had never handled money.
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The picture of Mother Teresa that I remember from my childhood is of a short, sari-wearing woman scurrying down a red gravel path between manicured lawns.
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There was no audience for my books. The Indians didn’t regard me as an Indian and North Americans couldn’t conceive of me of a North American writer, not being white and brought up on wheat germ. My fiction got lost.
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I am aware of myself as a four-hundred-year-old woman, born in the captivity of a colonial, pre-industrial oral culture and living now as a contemporary New Yorker.
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What was the duty of the teacher if not to inspire?
BHARATI MUKHERJEE