There’s this de facto assumption that for something to have value, it has to be economically self-supporting – which imposes a very low ceiling on a culture.
GEORGE SAUNDERSIf a writer understands his work as something that originates with him but then, with any luck, gets away from him, then what he needs is someone who can grasp the potential of the piece and lead him to that higher ground.
More George Saunders Quotes
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The one thing fiction and non-fiction writing have in common for me is that sense of trying to get the sentences to be minimal but at the same time be a little overfull – to encourage them to do a kind of poetic work.
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I started out in engineering. I was a geophysical engineer. Throughout the course of my life I’ve done a lot of strange jobs, and the effect has been to make me think a little more skeptically about our capitalist society.
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The one thing about A Christmas Carol that always bothers me is that Cratchit is so sweet and perfect. He’s like an Ivy League kid who just is labeled “poor.” He doesn’t have any bad habits. He’s never cranky with his kids.
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I was a big and un-ironic fan of Dear Abby when I was a kid in Chicago. I think I sort of internalized her. So I have this inner Abby: cranky, proper, folksy yet scathing, with a beehive hairdo. But that’s my issue.
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When somebody you’ve known for 20 years, and with whom you have a full context, winks at you or whatever, it can be huge. I think in a sense what you’re trying to re-create in fiction is that.
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I’m from a pretty working-class background, and I really worked hard in my life to eradicate those parts of myself that were stupidly trapped in that world.Those of us who come up that way made a series of choices to benefit ourselves and make ourselves more generous and open.
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Why were we put here, so inclined to love, when end of our story = death? That harsh. That cruel. Do not like.
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I had an experience a few years ago where I was on a plane in which one of the engines went out. I couldn’t even remember my name. I was just repeating the word no over and over.
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Based on the experience of my life, which I have not exactly hit out of the park, I tend to agree with that thing about, If it’s not broke, don’t fix it. And would go even further to: Even if it is broke, leave it alone, you’ll probably make it worse.
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A culture’s ability to understand the world and itself is critical to its survival. But today we are led into the arena of public debate by seers whose main gift is their ability to compel people to continue to watch them.
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Fiction is open to whoever comes in the door, as long as you come in energetically.
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That’s the only way that I can figure out how to live, is to say, “Well, I don’t know what this adds up to, but I can do the best I can.”
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I’m not thinking much about overall themes or preoccupations or anything like that. Instead I’m just trusting that, if I’m working hard, various notions and riffs and motifs and so on are very naturally suffusing the stories and the resulting book.
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I think people have come to expect that in artistic representation; that every work of art should be a work of extravagant hope.
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It seems to me that there are certain thoughts and vignettes and attitudes that I have always had the desire to represent.
GEORGE SAUNDERS