I’ve seen time and time again the way that the process of trying to say something dignifies and improves a person.
GEORGE SAUNDERSWhen you talk about a reader being emotionally moved, a feeling of empathy, I think that comes out of that line-by-line respect for reader. That’s actually where it all comes from.
More George Saunders Quotes
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The scariest thought in the world is that someday I’ll wake up and realize I’ve been sleepwalking through my life: underappreciating the people I love, making the same hurtful mistakes over and over, a slave to neuroses, fear, and the habitual.
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I think kindness is a sort of gateway virtue – having that simple aspiration can get you into deep water very quickly – in a good way.
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I was trained in seismic prospecting. We’d drill a deep hole and put dynamite in the bottom and blow it up remotely, which would give you a cross-sectional picture of the subsurface, which tells you where to drill.
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The artist’s job, I think, is to be a conduit for mystery. To intuit it, and recognize that the story-germ has some inherent mystery in it, and sort of midwife that mystery into the story in such a way that it isn’t damaged in the process, and may even get heightened or refined.
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My heart goes out to him. Sort of. Because empathy depends on how you’ve spent your day.
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When we talk about adversity, this is the moment when character really gets tested. When things aren’t going the way you want and you can’t see anyway that they’re going to go the way you want. That’s kind of when those old virtues really become valuable and vulnerable also.
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If a writer understands his work as something that originates with him but then, with any luck, gets away from him, then what he needs is someone who can grasp the potential of the piece and lead him to that higher ground.
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You can say you’re a liberal and everybody laughs and it’s a good time.
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The one thing fiction and non-fiction writing have in common for me is that sense of trying to get the sentences to be minimal but at the same time be a little overfull – to encourage them to do a kind of poetic work.
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It was like either: (A) I was a terrible guy who was knowingly doing this rotten thing over and over, or (B) it wasn’t so rotten, really, just normal, and the way to confirm it was normal was to keep doing it, over and over.
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All traditions are also full of meanness for the sake of meanness.
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Your first responsibility is to yourself and to your own goodness of heart.
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I think something that I can’t name about our media has made us move away from that kind of specificity and that kind of curiosity.
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As a writer I’m essentially just trying to impersonate a first-time reader, who picks up the story and has to decide, at every point, whether to keep going.
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As the writer of this book [Lincoln in the Bardo], what I loved was the feeling of having so many surprises come at the end that I hadn’t really planned or planted.
GEORGE SAUNDERS






