The ability to see the future can be a burden, and the younger you are and the more isolated you feel, maybe the more of a burden it is.
JOHN IRVINGI’m not afraid, but I’m very nervous.
More John Irving Quotes
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You can’t learn everything you need to know legally.
JOHN IRVING -
The unspoken factor is love. The reason I can work so hard at my writing is that it’s not work for me.
JOHN IRVING -
A novel is a piece of architecture. It’s not random wallowings or confessional diaries. It’s a building-it has to have walls and floors and the bathrooms have to work.
JOHN IRVING -
He was too young to know that, in any novel with a reasonable amount of forethought, there were no coincidences.
JOHN IRVING -
So, I don’t work in terms of real time. I don’t work in a timely fashion.
JOHN IRVING -
Kids are beautiful, man. And they know much more than grownups think they know. Kids are just perfect people until grownups get their hands on them.
JOHN IRVING -
In the world according to Garp, we are all terminal cases
JOHN IRVING -
I think now that is the nature of hymns-they make us want to repeat them…they are a part of any service, and often the only part of a funeral service, that makes us feel everything is acceptable.
JOHN IRVING -
But I often think that so-called glamorous people are just very busy people.
JOHN IRVING -
Self-hatred is worse than loneliness.
JOHN IRVING -
I’ve always been slow but I’m even slower now. I’m more into the waiting, or I guess I’m more patient about the waiting.
JOHN IRVING -
Writing a novel is actually searching for victims. As I write I keep looking for casualties. The stories uncover the casualties.
JOHN IRVING -
I always thought that you could do worse than find yourself dying in the company of a devoted former student.
JOHN IRVING -
I write very quickly; I rewrite very slowly. It takes me nearly as long to rewrite a book as it does to get the first draft.
JOHN IRVING -
And when you love a book, commit one glorious sentence of it-perhaps your favorite sentence-to memory. That way you won’t forget the language of the story that moved you to tears.
JOHN IRVING