The problem with being on the road – especially in a hot place like Florida – is that you can begin to think you’re on holiday.
BOY GEORGEI have the best job in the world. There’s not really a lot to moan or whine about. I’ve got the privilege of going out and doing something I absolutely love.
More Boy George Quotes
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The Taboo crowd was certainly less precious. They were happy to end up in a pile of vomit and booze at the end of the night. It was antifashion, in a sense. They were just as obsessive as the New -Romantics but they acted like they didn’t care.
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A lot of people come up to me all the time and say thank you for helping me be who I am. So my thing wasn’t just about sexuality. It was about anyone who felt different; anyone who felt out of place. Being gay was one part of it.
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Everything I think in life is about context and intention.
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In writing the autobiography, I can really chuckle when I look at the songs. I was acting out the part. I saw myself as a victim.
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The ultimate goal is to be more satisfied. I really don’t believe you get wiser because you get older. It’s a choice, perhaps not to take some things so seriously
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I think for me one of the big things was realizing that being Boy George is my job. It’s what I do.
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Personality is a real aphrodisiac, when somebody is charming or funny. I think certain jobs attract certain types of people.
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Everyone loved the music but nobody liked the name. I -remember getting a postcard from Jon from L.A. saying, “I don’t think America’s ready for the Sex Gang Children.”
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The most political thing you can do is be yourself
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Beethoven had a great look. It was very much about the drama of appearance.
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The 1970s was probably the most exciting decade to be a teenager, from discovering Little Richard at the end of the 1960s to glam rock to punk rock to electro music.
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His designs were often breath-taking, but it was the way he used his body that was so utterly new and refreshing.
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A lot of people felt I was getting work because I was Boy George. My response at the time was that there’s a lot of DJs making records, they’re not all making good records, but they have the right to do that.
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What happened during the previews of ‘Taboo’ [musical] was that it was the first time I’d ever been written about as a great song-writer.
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Taboo was kind of celebrating trash, the kind of records you secretly loved, like Yes Sir, I Can Boogie, by Baccara [laughs] – things that you probably shouldn’t like.
BOY GEORGE