Be the first to not do what nobody has ever thought of not doing before.
BRIAN ENOI believe in singing.
More Brian Eno Quotes
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When I was young, an eccentric uncle decided to teach me how to lie. Not, he explained, because he wanted me to lie, but because he thought I should know how it’s done so I would recognise when I was being lied to.
BRIAN ENO -
The whole history of pop music had rested on the first person singular, with occasional intrusions of the second person singular.
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Feelings are more dangerous than ideas, because they aren’t susceptible to rational evaluation. They grow quietly, spreading underground, and erupt suddenly, all over the place.
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Something I’ve realized lately, to my shock, is that I am an optimist, in that I think humans are almost infinitely capable of self-change and self-modification, and that we really can build the future that we want if we’re smart about it.
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I don’t like headphones very much, and I rarely listen to music on headphones.
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I always use the same guitar; I got this guitar years and years ago for nine pounds. It’s still got the same strings on it.
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There are hundreds of manufacturers always producing dvices that in general do the same things. Since they have slight structural differences if you take one and fool around with it and give it a good kick it will actually do something that it wasn’t designed to do.
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People do dismiss ambient music, don’t they? They call it ‘easy listening,’ as if to suggest that it should be hard to listen to.
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The great benefit of computer sequencers is that they remove the issue of skill, and replace it with the issue of judgement
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For instance, I’m always fascinated to see whether, given the kind of fairly known and established form called popular music, whether there is some magic combination that nobody has hit upon before.
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Being completely free to choose what to do is actually quite difficult
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Given the chance, i’ll die like a baby, on some faraway beach, when the season’s over.
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For the world to be interesting, you have to be manipulating it all the time.
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So, that means you can only play either very high or very low or both. And we’re going to stay there until I take my finger down.
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When I work there are two distinct phases: the phase of pushing the work along, getting something to happen, where all the input comes from me, and phase two, where things start to combine in a way that wasn’t expected or predicted by what I supplied.
BRIAN ENO