don’t mean to sound weird but I get so immersed in the source material when I’m working on a movie that I kind of lose the line between what I thought of and what was in the book.
ZACK SNYDERI felt like, in the recent past, people have been apologizing for Superman, a little bit, for his costume, for his origins, and for the way he fits into society.
More Zack Snyder Quotes
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For whatever reason I was always obsessed with the potential of humanity’s physicality. Especially since we grew up with such a non-physical philosophy.
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[Writing something original from scratch], the initial process is way different. But once it exists and you start to actually work on making it real, then the approach is kind of the same, for me anyways.
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I think that when you see the trailer [on movie “300”] – my feeling is anyway and maybe I’m not objective because I live it – but I think when you see it you immediately go, ‘Okay, this is another sort of way of doing this.’
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Probably the hardest thing to do was the beginning of the movie [“300”], I think, when we were in Sparta and all that – just getting in the groove.
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We’ve tried as hard as we can into keep the ideas intact in the hail storm that is Hollywood, so, whether he is or not, I’m personally proud of what I’ve been able to jam down their throats.
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I always say, I’m certain I changed ‘Watchmen’ less than the Coen brothers changed ‘No Country for Old Men.’ I’m certain of it. But you don’t hear the Cormac McCarthy fans, like, up in arms about it. They should be. It’s like an amazing Pulitzer Prize-winning book.
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The challenge with ‘Watchmen’ is making sure that the ideas that were in the book got into the movie. That was my biggest stretch. I wanted people to watch the movie and get it. It’s one of those things where, over time, it has happened more.
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The thing about owls is that they do sort of have this facial disc, which is unlike any other bird. They kind of have a face, more than like a dog or a giraffe. They have this weird, alien face that you can actually make expressive.
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I think I just have a natural operatic aesthetic. I can’t help it.
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Origin stories are really important to me. I just like that sort of stuff and I feel like it makes a lot of sense to the guys, who they are. If you don’t have that stuff, it’s kind of a one dimensional version of it.
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There’s very few dork movies made by dorks.
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I write in a pretty straightforward way. I kind of sit down at page one and start writing.
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The problem is, when you’re making an animated movie, the studio has an illusion in their minds – and it’s really not true – that because it’s a drawing, it can be changed at any time.
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My mom always encouraged me, it was never weird. She’d look at ‘Heavy Metal’ and go ‘Woo-hoo!’
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I imagine the film [“300”] as if I was a Spartan and I had never seen an immortal or a Persian, or an elephant or a rhino for that matter.
ZACK SNYDER