Your first responsibility is to yourself and to your own goodness of heart.
GEORGE SAUNDERSWhatever you love, that will be an influence. It just will. So in effect the young writer’s job is: go out and find some stuff to love.
More George Saunders Quotes
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The one thing about A Christmas Carol that always bothers me is that Cratchit is so sweet and perfect. He’s like an Ivy League kid who just is labeled “poor.” He doesn’t have any bad habits. He’s never cranky with his kids.
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As a fiction writer, one of things you learn is God lives in specificity. You know, human kindness is increased as we pursue specificity.
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Life is short, very short, and what are we doing here if not trying to become more generous and loving?
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The great American denial riff is that you can do whatever you like and you always triumph at the end. The world is saying no, you can do what you like, but there are consequences. And maturity is to be able to turn to the consequences and accept them.
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As the writer of this book [Lincoln in the Bardo], what I loved was the feeling of having so many surprises come at the end that I hadn’t really planned or planted.
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…There is no end to the making and selling of things there is no end to the making and selling of things there is no end… Man, it occurs to me, is a joyful, buying-and-selling piece of work. I have been wrong, dead wrong, when I’ve decried consumerism.
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When we talk about adversity, this is the moment when character really gets tested. When things aren’t going the way you want and you can’t see anyway that they’re going to go the way you want. That’s kind of when those old virtues really become valuable and vulnerable also.
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Someone told me once – I mean I said, “Is it ok that I don’t really know what the three-act structure is?” And he said, “It’s basically: Act 1: a guy climbs up a tree; Act 2: people come and throw stuff at him; Act 3: he gets down.”
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I was trained in seismic prospecting. We’d drill a deep hole and put dynamite in the bottom and blow it up remotely, which would give you a cross-sectional picture of the subsurface, which tells you where to drill.
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An artist’s job is to be interested in things as they are.
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Whatever happens when we die, it would be really weird if it was what we had expected. Even if you were a lifelong Christian believer, it would be kind of weird if there actually were pearly gates.
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I would kind of, you know, go stand next to some unlucky guy and say eventually, Hi, I’m George. You know, I’m with The New Yorker. I’m a liberal. I’m somewhat left of Gandhi. Do you want to talk? And, you know, they always did.
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With nonfiction, I go in trying to be really honest about what my preconceptions are.
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Positive human action is not only possible, but pervasive; human beings can improve and choose light and so on. And this is all happening.
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Goodbye. I’m leaving because I’m bored.
GEORGE SAUNDERS






