Through the last days of the century And I knew that I was going to learn again Again, in this less hazy light I saw the fields beyond the fields The fields beyond the field
[Mortal City ] was also the beginning of the reality of the fact that I was going to have little pieces of my personality identifying with all of these different parts of the country.
I really lucked out with that song [“As Cool As I Am”]. Men were becoming much more comfortable with all the different facets and parts of their identity, including their gentler, funnier, sillier, nurturing parts. They started showing up.
A lot of the songs are pretty unmasked. If you listen to “As Cool As I Am,” it’s not all that different from what you were hearing from Ani DiFranco and some of the other indie women artists of the time. It was still in that context, still seen as folk music.
The best, most solid place to stand as you look at our present situation is on a foundation of history. The Roman Empire, the British Empire, and the Nazi empire all have things in common.
Choices you made about how you recorded and what instruments you used and how much real versus how much synthetic. Those were choices that were seen as very political at the time.
Things are important to you and then they recede within a day. That’s the only thing that keeps me from believing that there’s going to be any one organic big wave; although the Americana (music) thing has been happening for a while.
I would encourage people to bridge broadly and creatively in their communities, not just because that creates the most fun and resiliency, but also because it creates the most points of access for people to be part of the community, which is what democracy is at its best.
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