got a little red line that tells you, boy where the razor’s been.
TORI AMOSI think doing variations on a classical theme is a dangerous thing to do.
More Tori Amos Quotes
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You know when people smile too much? It’s painful. I find it really painful. Happy is not very reliable. I’m trying to live like, um, with a fierce calm.
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The way I see it, the men that I’m with, whoever they are, it’s like look, you have to accept the fact that I like ice cream, and I know it shows up on my hips but if you can’t accept that, then leave. Go away, toodles. It is non-negotiable.
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I’m a hard worker. I get my hands dirty.
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For a song cycle to work, you have to feel these things when you hear them and you either have an emotional reaction to it or you don’t. The plotline is something that gets woven together in the backstory.
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I guess you go too far when pianos try to be guitars.
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The most important thing to me as a songwriter is the breath. The most important thing I could say to somebody is, ‘Sometimes I just breathe you in.’
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I’m a conduit for telling people’s stories. It’s a privilege.
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There is value in everybody’s gift. No matter how hard to find or strange it is.
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These precious things, let them bleed.
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Anything a wife should do, I’m terrible at. Anything a mistress should do, I’ll try.
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Standin’ on a corner in Winslow, Arizona, and I’m quite sure I’m in the wrong song.
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My father has a pragmatic mind. He marched with Dr King in the 60s, and he’s very much for women’s rights.
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Nothing’s gonna stop me from floating
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You know that saying, bad things don’t happen to good people? That’s a lie.
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Anybody knows, you can conjure anything by the dark of the moon
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