I love England. It’s no coincidence it’s the first place I moved to for a more cosmopolitan life, which is the only thing Iceland lacks.
BJORKSinging is like a celebration of oxygen.
More Bjork Quotes
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Being a musician is very easy. My house is full of musical instruments. There’s a lot of music, always.
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Football is a fertility festival. Eleven sperm trying to get into the egg. I feel sorry for the goalkeeper.
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I’ve always appreciated working with people I have chemistry with, who are friends, and where you feel that the work is growing while you are getting to know each other better.
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I guess I’m quite used to not being understood rather than being understood.
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I do try and wear stuff by unknown designers, and I make sure I pay because if nothing else I have money.
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It’s a sign that you have a good work relationship if you don’t have to analyze. That’s usually a good sign within creative work.
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When I write a song, I see a tunnel, and then the chorus is an open space, or the bassline is doing this shape. I see songs as a more of a geometric, spacial experience.
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There is this stereotype of Icelanders all believing in spirits, and I’ve played up to that a bit in interviews.
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There’s more to Life than this
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Our times seem to be so much about redefining where we are physical and where we’re not.
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I mean, I’ve never been thinking that if you’re a fan you have to buy everything that somebody puts out. I mean, you’ve got a choice. If you don’t want it, just don’t buy it. It’s also a reaction to YouTube and sharing of files.
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You want people to take risks, and OK, they fail, but you don’t get the great stuff unless people are willing to risk and not play it safe. And maybe the Icelandic characteristic is better harnessed in these places than on the stock market.
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I knew if certain people recommended something, it would be good. There’s always going to be those people. It just depends on what they’re called: curators or radio jockeys or bloggers.
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I want to support young girls who are in their 20s now and tell them: You’re not just imagining things. It’s tough.
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In 2008, I was more just thinking about using the touchscreen for writing the songs. From there I started thinking about how I visualised music.
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