What you have to do is play a couple of songs and then get off the stage because everything that trails it sounds stupid.
BRANFORD MARSALISI’m not going to play funk licks on a jazz album. That makes no sense.
More Branford Marsalis Quotes
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You hear it in your brain. Whatever makes sense. Some songs work well as quartet songs, sometimes they don’t.
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What is jazz? It, It’s almost like asking, What is French? Jazz is a musical language. It’s a musical dialect that actually embodies the spirit of America.
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Everybody talks about finding your voice. Do your homework and your voice will find you.
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So much of Jazz doesn’t have an audience other than music students or musicians.
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You don’t know what you like, you like what you know. In order to know what you like, you have to know everything.
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I don’t care who likes it or buys it. Because if you use that criterion, Mozart would have never written Don Giovanni, Charlie Parker never would have played anything but swing music. There comes a point at which you have to stand up and say, this is what I have to do.
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When people go to concerts, they say I’m going to see… not, I’m going to hear.
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My job is to write songs that have emotional meaning to me.
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Humans are imperfect. That’s one of the reasons that classical and jazz are in trouble. We’re on the quest for the perfect performance and every note has to be right. Man, every note is not right in life.
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Walter Beasley is an anomaly: a successful performing musician who possesses the rare skill of understanding the musical process beyond the intuitive. T
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It’s hard to get into Newsweek because, as more of our former intellectual magazines take on a pop focus, if there’s no buzz, there’s no interest.
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The biggest problem with American music right now, is that kids don’t listen. They come by it honestly, Americans don’t listen anyway.
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The whole point is, give me a break with the standards. You go to the average jazz label and suggest a record and they want to know which standards you’re going to play. I’m saying let’s break the formula.
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Coltrane came to New Orleans one day and he was talking about the jazz scene. And Coltrane mentions that the problem with jazz was that there were too few groups.
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Pop doesn’t really look back. It can’t. What makes pop work is simplicity.
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