When people go to concerts, they say I’m going to see… not, I’m going to hear.
BRANFORD MARSALISWalter Beasley is an anomaly: a successful performing musician who possesses the rare skill of understanding the musical process beyond the intuitive. T
More Branford Marsalis Quotes
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If it’s not going to sound like Terrapin Station, what’s the point of playing Terrapin Station?
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Everybody talks about finding your voice. Do your homework and your voice will find you.
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What you have to do is play a couple of songs and then get off the stage because everything that trails it sounds stupid.
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My dad was a musician, it was just what he did, like another guy’s dad drives a meat truck. Our house was normal. We weren’t taken with the fact our dad was a musician.
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What is jazz? It, It’s almost like asking, What is French? Jazz is a musical language. It’s a musical dialect that actually embodies the spirit of America.
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Humans are imperfect. That’s one of the reasons that classical and jazz are in trouble. We’re on the quest for the perfect performance and every note has to be right. Man, every note is not right in life.
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One of the things that I loved about listening to Miles Davis is that Miles always had an instinct for which musicians were great for what situations. He could always pick a band, and that was the thing that separated him from everybody else.
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My job is to write songs that have emotional meaning to me.
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I’m not going to play funk licks on a jazz album. That makes no sense.
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The way to learn the language is to rip off other players. As Benny Golson told me, “We all start off sounding like other cats.
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One of the things that’s clear to me from interviews that I’ve read is that the more popular successful jazz musicians had audiences above and beyond the music community.
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The biggest problem with American music right now, is that kids don’t listen. They come by it honestly, Americans don’t listen anyway.
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I don’t care who likes it or buys it. Because if you use that criterion, Mozart would have never written Don Giovanni, Charlie Parker never would have played anything but swing music. There comes a point at which you have to stand up and say, this is what I have to do.
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When you’re dealing with music without words, titles are more a means of identification than anything else. What’s the point of getting lofty?
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Walter Beasley is an anomaly: a successful performing musician who possesses the rare skill of understanding the musical process beyond the intuitive. T
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