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It was nice that there [ in the Bourne Ultimatum ] was a reference to the relationship . It’s very subtle – it’s actually without dialogue. I do think it’s powerful even without words.

Julia Stiles

I really like Shakespeare a lot. The characters that he writes for females, I think, are really great and a lot more compelling than what modern writers write, which is weird because they didn’t have actresses then.
JULIA STILES

Character Females Thinking Writing
I think women get caught up too much in having a plan – ‘I’m going to get married at this age I’m going to have a kid at this age’ – and then they just try to find a guy who will fit into that picture. I don’t want my life to be based on that.
JULIA STILES

Guy Kids Thinking
It was nice that there [ in the Bourne Ultimatum ] was a reference to the relationship . It’s very subtle – it’s actually without dialogue. I do think it’s powerful even without words.
JULIA STILES

Nice Powerful Thinking
Make yourself useful, not just on a day to day basis, but as a lifetime thing.
JULIA STILES

Lifetime
I used to struggle a lot with dwelling on how the day at work was, and I would dwell on my performance. Now, I’m like, “Well, that’s over and done with, and I can’t control the outcome, so move on.” I just remember that it’s entertainment I am making.
JULIA STILES

Dwelling Moving Struggle
I know it sounds earnest, but I do really feel in my bones that acting is just a small part of the equation when you are making a movie. The director really is in charge. Actors are as important or unimportant as the rest of the people around them.
JULIA STILES

Acting Important People
The thing with the Bourne movies is that they’re so big in scope and the production value is so high and it takes so much organization.
JULIA STILES

Bigs Organization Scope
Theater makes working in movies or TV seem like a cake-walk.
JULIA STILES

Cake Television Theater
In my early career, I look at that time as a series of trial and error and learning as I go.
JULIA STILES

Careers Error Errors Trial
With film, so much is in the director’s hands. Once something is cut together – unless you’re in the editing room – you don’t really remember what the alternatives are.
JULIA STILES

Cutting Editing Hands
I never think of myself as an actor who takes work home with them.
JULIA STILES

Actors Home Thinking
I’ve always been fascinated with the idea of people paying for sex and what goes on with that and why that happens.
JULIA STILES

Ideas People Sex
We can become very short-sighted in terms of objectives. The first thing to go during times of economic crisis and budget cuts is funding for things that are essential and not-quantifiable, like the arts. Save Big Bird
JULIA STILES

Art Bird Cutting Funding Times
Yoga has stopped me from destroying my joints after running. It slows me down.
JULIA STILES

Joints Running Yoga
I remember seeing Janet McTeer in A Doll’s House. My grandmother took me and we had seats in the very back row, but her performance was so powerful – it was very accessible. I felt like I was much closer than I was.
JULIA STILES

Grandmother House Performance Powerful
I did a different production with a different director and Bill Pullman. Oleanna – the one you saw – we were doing right after Bourne Identity or right after it came out.
JULIA STILES

Bills Identity Saws

It was nice that there [ in the Bourne Ultimatum ] was a reference to the relationship . It’s very subtle – it’s actually without dialogue. I do think it’s powerful even without words.

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Popular Authors

It was nice that there [ in the Bourne Ultimatum ] was a reference to the relationship . It’s very subtle – it’s actually without dialogue. I do think it’s powerful even without words.

Related Topics

Popular Authors

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