Look how black the sky is, the writer said. I made it that way.
BRET EASTON ELLISYou learn to move on without the people you love.
More Bret Easton Ellis Quotes
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I tried to make meat loaf out of the girl but it becomes too frustrating a task and instead I spend the afternoon smearing her meat all over the walls, chewing on strips of skin I ripped from her body
BRET EASTON ELLIS -
He was simply someone who floated through our lives and didn’t seem to care how flatly he perceived everyone or that he’d shared our secret failures with the world, showcasing the youthful indifference, the gleaming nihilism, glamorizing the horror of it all.
BRET EASTON ELLIS -
At Columbus Circle, a juggler wearing a trench cloak and top hat, who is usually at this location afternoons and who calls himself Stretch Man, performs in front of a small, uninterested crowd; though I smell prey, and he seems worthy of my wrath.
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Writing fiction is an act of imagination and fantasizing, and it’s not relating in prose what you’ve been doing for the last two or three years.
BRET EASTON ELLIS -
Rock ‘n’ roll. Deal with it.
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Everyone I know who is successful has issues with their father, regardless of whether it was sports or business or entertainment.
BRET EASTON ELLIS -
I locked in on the smug feeling of superiority that married couples give off and that permeated the air – the shared assumptions, the sweet and contented apathy, it all lingered everywhere – despite the absence in the room of anyone single at which to aim this.
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And,” Price adds, smiling, “if another round of Bellinis comes within a twenty-foot radius of our table we are going to set the maitre d’ on fire. So you know, warn him.
BRET EASTON ELLIS -
There’s no use in denying it: this has been a bad week. I’ve started drinking my own urine.
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What else is there to do in college except drink beer or slit one’s wrists?
BRET EASTON ELLIS -
There are no more barriers to cross. All I have in common with the uncontrollable and the insane, the vicious and the evil, all the mayhem I have caused and my utter indifference toward it I have now surpassed.
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It’s like my characters, all my men are Dad and me in a mess; all my female characters are smart and hopeful, like Mom just trying to make the best of things.
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I really believe that readers are smart and sophisticated enough to realize that the author is not the narrator of his novels.
BRET EASTON ELLIS -
Yes. Yes I am. I am a completely demented misogynist.
BRET EASTON ELLIS -
Disappear Here. The syringe fills with blood. You’re a beautiful boy and that’s all that matters. Wonder if he’s for sale. People are afraid to merge. To merge.
BRET EASTON ELLIS -
I’ve never written an autobiographical novel in my life. I’ve never touched upon my life. I’ve never written a single scene that I can say took place.
BRET EASTON ELLIS -
I think basically most men are misogynistic.
BRET EASTON ELLIS -
I’m not a big believer in disciplined writers. What does discipline mean? The writer who forces himself to sit down and write for seven hours every day might be wasting those seven hours if he’s not in the mood and doesn’t feel the juice. I don’t think discipline equals creativity.
BRET EASTON ELLIS -
She sits before me, sullen but hopeful, characterless, about to dissolve into tears. I squeeze her hand back, moved, no, touched by her ignorance of evil. She has one more test to pass. Do you own a briefcase?” I ask her, swallowing.
BRET EASTON ELLIS -
It’s as if her mind is having a hard time communicating with her mouth, as if she is searching for a rational analysis of who I am, which is, of course, an impossibility: there… is… no… key.
BRET EASTON ELLIS -
Devastates me and I make a mental note to ask him where he purchases his hair-care products, which kind of mousse he uses, my final guesses after mulling over the possibilities being Ten-X.
BRET EASTON ELLIS -
People can get accustomed to anything, right? Habit does things to people.
BRET EASTON ELLIS -
When I’m writing a book, I’m not thinking, “Oh, this would be a great movie.” This would be a very interesting book. And I think the books are things that cannot really be adapted into another medium.
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Exploitation is a harsh word, I know that, but on a certain level, to me that is the central Hollywood story.
BRET EASTON ELLIS -
Regardless of the business aspect of things, is there a reason that there isn’t a female Hitchcock or a female Scorsese or a female Spielberg? I don’t know. I think it’s a medium that really is built for the male gaze and for a male sensibility.
BRET EASTON ELLIS -
My pain is constant and sharp, and I do not hope for a better world for anyone.
BRET EASTON ELLIS