I definitely dislike pomposity and artifice. I hope that I’m not that. Once I write a song, it belongs to the world, and the way people perceive it, it’s cool.
I wanted to show the world, and myself too, what I can do. I came up in the world of Philadelphia soul, but I’m fluent in a lot of languages musically and I like working with different people from different generations.
I returned to upstate NY where I just laid in bed for days with a fever that just wouldn’t go away. After more of this, I grew increasingly sure that this was not simply the flu!
I grew up in a very racially integrated place called Pottstown. It was an agricultural / industrial town which has since become a suburb of Philadelphia. I grew up basically in a black neighborhood.
I’m in the trenches; I do the best work I can always do. Having said that, the way that what I do converges with the outside world is fascinating to me. Because it ebbs and flows. People’s interest and understanding, it changes all the time.
Around 1974, I graduated into the occult, and spent a sold six or seven years immersed in the Kabala and the Chaldean, Celtic, and Druidic traditions I also became fascinated with Aleister Crowley, the nineteenth-century magician who shared these beliefs.
I was a pioneer in MTV and I was there from the very beginning. So I saw how that developed and how loose it was and how much fun it was in its looseness. And I was influenced a lot by that.
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