If I want to write a movie, I’ll write a screenplay, but if I have an idea for a book, it’s something that I think can only be done novelistically.
BRET EASTON ELLISI think the ’80s created me, in a way, when I look back on that time, but I don’t necessarily think that a lot of my choices, and a lot of things that I did, and a lot of things that happened to me – or I let happen to me – were about that decade.
More Bret Easton Ellis Quotes
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Unless you’re the director on the movie, or putting up the money for the movie, you really don’t have a lot of control.
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There’s no grand plan. All I know is that I write the books I want to write. All that other stuff is meaningless to me.
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I think in life, there are certain choices you make that are timeless and universal, and don’t necessarily have anything to do with the particulars of a certain decade.
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I’m not a big believer in disciplined writers. What does discipline mean? The writer who forces himself to sit down and write for seven hours every day might be wasting those seven hours if he’s not in the mood and doesn’t feel the juice. I don’t think discipline equals creativity.
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Fear never shows up and the party ends early.
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I want no one to escape, but even after admitting this there is no catharsis, my punishment continues to elude me and I gain no deeper knowledge of myself; no new knowledge can be extracted from my telling. This confession has meant nothing.
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Is evil something you are? Or is it something you do?
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My pain is constant and sharp, and I do not hope for a better world for anyone.
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And as the elevator descents, passing the second floor, and the first floor, going even father down, I realize that the money doesn’t matter. That all that does is that I want to see the worst
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People can get accustomed to anything, right? Habit does things to people.
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I kept staring into the blackness of the woods, drawn into the darkness as I always had been. I suddenly realized how alone I was. (But this is how you travel, the wind whispered back, this is how you’ve always lived.)
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Do you wear a diaphragm everywhere you go?’ I want to scream, but stop myself because the idea really excites me.
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I like the idea of a writer being haunted by his own creation, especially if the writer resents the way the character defines him.
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I have to return some videotapes
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With “Taipei” Tao Lin becomes the most interesting prose stylist of his generation…
BRET EASTON ELLIS