My mask of sanity was a victim of impending slippage. This was the bone season for me and I needed a vacation.
BRET EASTON ELLISI want no one to escape, but even after admitting this there is no catharsis, my punishment continues to elude me and I gain no deeper knowledge of myself; no new knowledge can be extracted from my telling. This confession has meant nothing.
More Bret Easton Ellis Quotes
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So…” Kimball looks at his book helplessly. “There’s nothing you can tell me about Paul Owen?” “Well.” I sigh. “He led what I suppose was an orderly life, I guess. “ Really stumped, I offer, “He…ate a balanced diet.
BRET EASTON ELLIS -
I’ve never written an autobiographical novel in my life. I’ve never touched upon my life. I’ve never written a single scene that I can say took place.
BRET EASTON ELLIS -
There are no more barriers to cross. All I have in common with the uncontrollable and the insane, the vicious and the evil, all the mayhem I have caused and my utter indifference toward it I have now surpassed.
BRET EASTON ELLIS -
It’s like my characters, all my men are Dad and me in a mess; all my female characters are smart and hopeful, like Mom just trying to make the best of things.
BRET EASTON ELLIS -
One part of me wants to take her out and talk to her and be real nice and sweet and treat her right.”‘ I stop finish my J&B in one swallow. ‘What does the other part of him think?’ Hamlin asks tentatively. ‘What her head would look like on a stick…’
BRET EASTON ELLIS -
Baby, when you were young and your heart was an open book, you used to say live and let live. You know you did, you know you did, you know you did.
BRET EASTON ELLIS -
I like the idea of a writer being haunted by his own creation, especially if the writer resents the way the character defines him.
BRET EASTON ELLIS -
I want no one to escape, but even after admitting this there is no catharsis, my punishment continues to elude me and I gain no deeper knowledge of myself; no new knowledge can be extracted from my telling. This confession has meant nothing.
BRET EASTON ELLIS -
When I’m writing a book, I’m not thinking, “Oh, this would be a great movie.” This would be a very interesting book. And I think the books are things that cannot really be adapted into another medium.
BRET EASTON ELLIS -
I learned that you really don’t have any control as a writer. Waah, waah, waah. Big deal. Unless you’re the director on the movie, or putting up the money for the movie, you really don’t have a lot of control.
BRET EASTON ELLIS -
Hip,” I murmur, remembering last night, how I lost it completely in a stall at Nell’s—my mouth foaming, all I could think about were insects, lots of insects, and running at pigeons, foaming at the mouth and running at pigeons.
BRET EASTON ELLIS -
Yes. Yes I am. I am a completely demented misogynist.
BRET EASTON ELLIS -
Regardless of the business aspect of things, is there a reason that there isn’t a female Hitchcock or a female Scorsese or a female Spielberg? I don’t know. I think it’s a medium that really is built for the male gaze and for a male sensibility.
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People just… disappear,” he says. “The Earth just opens up and swallows people,” I say, some what sadly, checking my Rolex. “Eerie.” Kimball yawns, stretching. “Really eerie.” “Ominous.” I nod my agreement. “It’s just”- he sights, exasperated- “futile.
BRET EASTON ELLIS -
What else is there to do in college except drink beer or slit one’s wrists?
BRET EASTON ELLIS






