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The whole visual language of the movie is developed way before we get to set.

Darren Aronofsky

I think I came to film-making through writing. I started to write, and people, teachers, responded to my writing.
DARREN ARONOFSKY

Teacher Thinking Writing
I was 12 or 13 years old. So I started to write poetry and fiction, even though I was really into biology because my dad was a science teacher. I kept writing all those years.
DARREN ARONOFSKY

Dad Kept Poetry Teacher Writing
I think it’s important as a filmmaker, as any person working in the arts, that you’ve got to try new stuff and challenge yourself and take chances.
DARREN ARONOFSKY

Art Challenges Thinking
I think people are people and, if their feelings are truthful, they can connect. It doesn’t matter if you’re an aging, 50-something wrestler at the end of his career, or an ambitious, 20-something ballet dancer.
DARREN ARONOFSKY

Careers People Thinking
I feel that so many sci-fi films and films in general have just become really dependent on and addicted to CGI, and that some of the big CGI films of the summer, you see these effects that look like crap.
DARREN ARONOFSKY

Fall Real Summer
I spent about a year and a half doing technical post work on ‘The Fountain’. Although I do like the process, I think my favorite part of filmmaking is the actors.
DARREN ARONOFSKY

Actors Thinking Years
I’ve tried to take a chance with every film I’ve done – I’ve never done it the easy way, and I think that’s because that’s what excites me, is making as big a mountain as I can in front of me, and just trying to mount it.
DARREN ARONOFSKY

Challenge Done Easy Front Trying
I think there’s something in collaboration – the fact that you can sit there and bounce ideas off of someone. It definitely matters who the person is, because certain people… T
DARREN ARONOFSKY

Brain People Thinking
I’m not sure where the artistry in film making is. It’s usually that moment when you’re on set and you’re working with the actors.
DARREN ARONOFSKY

Actor Artistry Moment Sure Working
I’ve spent a life loving women and studying them as much as I can, or am allowed to.
DARREN ARONOFSKY

Loving Study Woman
Angel Heart’ was one of my favorite films.
DARREN ARONOFSKY

Angel Film Heart
Animators have to live life 24 times as long as we do – every 24 frames of a second.
DARREN ARONOFSKY

Chance Life Live Long Second
I’m Godless. I’ve had to make my God, and my God is narrative filmmaking
DARREN ARONOFSKY

Actors Movie Narrative
To me, watching a movie is like going to an amusement park. My worst fear is making a film that people don’t think is a good ride.
DARREN ARONOFSKY

Amusement People Thinking
Also expressionistic filmmaking – making the audience feel like they were inside the characters’ heads. And so we create all these different types of techniques to put the audience there.
DARREN ARONOFSKY

Character Different Technique
I try to live my life where I end up at a point where I have no regrets. So I try to choose the road that I have the most passion on because then you can never really blame yourself for making the wrong choices. You can always say you’re following your passion.
DARREN ARONOFSKY

Choices Most Passion Regret Wrong

The whole visual language of the movie is developed way before we get to set.

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The whole visual language of the movie is developed way before we get to set.

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