I’ve recently enjoyed the Paul Thomas Anderson commentaries and the David Fincher commentaries.
JAY ROACHI really enjoy the consolation when I’m having to cut loose stuff I love, of saying ‘Well, at least it will make it onto DVD.’ There’s a couple of scenes which I liked very much, but couldn’t fit them into the film that are on there.
More Jay Roach Quotes
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I think sequels should be earned and we won’t do it unless the script is better than the first one.
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[Dalton] Trumbo himself was a terrible Communist.
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[ Dalton Trumbo] always said he fought so many fights, all seemingly different, but all about the concepts of fairness and justice.
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Mini-Me was the pint sized clone that was the perpetuation of Dr. Evil’s own legacy [in Austin Powers]. That concept earned the sequel.
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Hedda’s Hopper attitude was ‘once a Commie, always a Commie.’
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In his life, [Dalton] Trumbo uses wit and comedy to fight these very high-stakes battles.
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It’s hard to imagine in this day and age the accent in Dalton Trumbo speaking voice, the Mid Atlantic mixture of an English and American dialect, so flowery and oratorical that it almost sounds theatrical. It would be uncool today, no one would ever speak that way.
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I hope we’re all kind of influencing each other now to keep the quality up on those things. They seem to be getting better and better and better as there’s not only sort of a film geek audience, there’s also a general interest in the overall film consuming population.
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I’m pretty opinionated sometimes although my political views change all the time, too. So I’m not very zealous.
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One of the series of decisions that the great screenwriter John McNamara made was about who to depict. [Ronald] Reagan had a role in HUAC, he was a friendly witness, but never went over-the-top about it.
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Once you’re a public figure, there’s a certain amount of privacy you do give up.
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To his credit John Wayne was open about it, he even portrayed a member of the House UnAmerican Activities Committee in a film called ‘Big Jim McClain.’
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I don’t stay in the genre because I just like all stories that have a smart hook in them and I can find a comic way through if it’s a comedy or a suspenseful way through it if it’s a drama.
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John Wayne was never shy about that fervor, but because he was never overly zealous about his politics, and of course his status as a movie, he was embraced by both the right and the left.
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But I always reassure them that as far as my contractual rights can go, I will protect them and make sure that they have approval over every bit of it so that they know I won’t show something that’s embarrassing.
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It was an interesting process trying to get Bob to talk about the film because he’s such a shy person. He generally likes to talk when he really knows he has something to say.
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I’m developing some other things in other genres, including one dramatic piece. So, anything’s possible.
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When something so unjust as the black list happened, [Dalton Trumbo] would come to life in a certain way.
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That’s why we had Louis C.K. portray the harder line Communist, to accuse [Dalton] Trumbo of being a hypocrite.
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[Lyndon Baines Johnson ] technique in negotiation would be that he’d lean into you and take away your personal space, it didn’t matter your party affiliation when he was trying to convince you of something.
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I always had a respect and an admiration for people who got into politics. I certainly have always been interested in law and political science.
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[Lyndon Baines ] Johnson is a big and larger-than-life guy, we just tried to give him the dynamic range that he actually had.
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I really enjoy the consolation when I’m having to cut loose stuff I love, of saying ‘Well, at least it will make it onto DVD.’ There’s a couple of scenes which I liked very much, but couldn’t fit them into the film that are on there.
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Sometimes perfecting the one thing can be the enemy of getting any traction on anything else.
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This is a movie version of the play [All the Way]and when Bryan [Cranston] was on stage the bigness of the man was played to the back of the house. When we turned the cameras on that, it changed a bit with close-ups, but we got just as much power in that beautiful intimacy.
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When I’m shooting, really the audience I’m thinking the hardest about is that first test screening audience who I want to like the film and that first opening weekend audience.
JAY ROACH