I did write a couple of original screenplays, but I’d rather write plays.
BETH HENLEYSomehow I got to be one of five or six actors that the directors would use as guinea pigs at this directing colloquium, where people pay to listen to and watch the directors direct.
More Beth Henley Quotes
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But here’s the thing: what you do as a screenwriter is you sell your copyright. As a novelist, as a poet, as a playwright, you maintain your copyright.
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It was kind of enlightening to become a playwright.
BETH HENLEY -
Somehow I got to be one of five or six actors that the directors would use as guinea pigs at this directing colloquium, where people pay to listen to and watch the directors direct.
BETH HENLEY -
I love to work, although sometimes I can spend whole days doing nothing more than picking the lint off the carpet and talking to my mother on the phone.
BETH HENLEY -
It’s really interesting that whenever you do something that is so out of character, like having an emotional outburst, that you don’t get in trouble.
BETH HENLEY -
I love writing for the screen.
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I’m very into the first production of the show.
BETH HENLEY -
I tried to start a theatre in LA and failed miserably, but I was probably not meant to raise money.
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Plays are so much more special if they’ve never ever had a production, but I think you can really work on a play and make it better with each production.
BETH HENLEY -
It’s called Sisters of the Winter Madrigal. It was interesting for me to see it done after so many years; because I wrote it and I didn’t realize what a rage I was in.
BETH HENLEY -
That was always my inclination, to start on a new play before the other one gets done, because at least you’ll have something to go back to if that play gets trashed.
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There are probably brilliant people, geniuses, alive today who don’t even know how to say, “Hello, how do you do?” because their minds are absorbed with electronic images.
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I just loved being divorced from my own wretchedness.
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What I loved about the acting class was that you got to think all day long about a person that wasn’t you, and figure out why they were sad and what they wanted, what they dreamed.
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The most glorious thing about working in the collaborative art is when you have somebody like Susan Kingsley or Kathy Bates who are better than your play.
BETH HENLEY