I was trained in seismic prospecting. We’d drill a deep hole and put dynamite in the bottom and blow it up remotely, which would give you a cross-sectional picture of the subsurface, which tells you where to drill.
GEORGE SAUNDERSMy idea about collections is that you write as hard as you can for some period and what you’re really doing during that time is hyper-focusing on the individual pieces – trying to make each one sit up and really do some surprising work.
More George Saunders Quotes
-
-
The artist’s job, I think, is to be a conduit for mystery. To intuit it, and recognize that the story-germ has some inherent mystery in it, and sort of midwife that mystery into the story in such a way that it isn’t damaged in the process, and may even get heightened or refined.
GEORGE SAUNDERS -
It seems to me that there are certain thoughts and vignettes and attitudes that I have always had the desire to represent.
GEORGE SAUNDERS -
I want something a little more confident and more sure of the values that we’re defending, which are the old ones, love and empathy and patience and tolerance and civility. Not to get into politics or anything.
GEORGE SAUNDERS -
I often wonder if there are certain areas of real life that are roped off, with a sign saying, “Art, don’t come in here.” But that’s maybe a deeper question.
GEORGE SAUNDERS -
As a fiction writer, one of things you learn is God lives in specificity. You know, human kindness is increased as we pursue specificity.
GEORGE SAUNDERS -
That’s the only way that I can figure out how to live, is to say, “Well, I don’t know what this adds up to, but I can do the best I can.”
GEORGE SAUNDERS -
An artist’s job is to be interested in things as they are.
GEORGE SAUNDERS -
I think kindness is a sort of gateway virtue – having that simple aspiration can get you into deep water very quickly – in a good way.
GEORGE SAUNDERS -
Someone told me once – I mean I said, “Is it ok that I don’t really know what the three-act structure is?” And he said, “It’s basically: Act 1: a guy climbs up a tree; Act 2: people come and throw stuff at him; Act 3: he gets down.”
GEORGE SAUNDERS -
I’m not a big fan of my books going on cross-country road trips. They get arrogant and, next thing, start aspiring to become ‘large-print’ books. I say, let them stay home and be regular small-print books.
GEORGE SAUNDERS -
The scariest thought in the world is that someday I’ll wake up and realize I’ve been sleepwalking through my life: underappreciating the people I love, making the same hurtful mistakes over and over, a slave to neuroses, fear, and the habitual.
GEORGE SAUNDERS -
And the brevity is part of the challenge. I like stories because I get them – I know how to make beauty, or something like beauty, in that mode.
GEORGE SAUNDERS -
When I wrote that [Donald] Trump piece, I had this uncomfortable experience of sensing a lot of things that were nascent, that I couldn’t quite articulate. And one of them was this move toward anti-intellectualism. An anti-love move, even.
GEORGE SAUNDERS -
With nonfiction, I go in trying to be really honest about what my preconceptions are.
GEORGE SAUNDERS -
The most hopeful thing in the stories, I hope, is wit. I make it up. If I make up a world in which we’re ruled by big talking turds, it doesn’t mean that we are. So you shouldn’t feel depressed.
GEORGE SAUNDERS