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The Dain Curse [Tom Fink] was a great job. I was in New York, and I was young – I think I’m 28 years old in that – and I got to work with James Coburn and Jean Simmons and Jason Miller. Plus, it was a Dashiell Hammett story, and I had a great character. It was fantastic to shoot.

Brent Spiner

I think honestly, believe it or not, that Dude, Where’s My Car? in a way represents its time better than almost any film made around that.
BRENT SPINER

Believe Car Thinking
A job is a job. And I like to work.
BRENT SPINER

Jobs Like Work
It was a fabulous experience shooting [in the Aviator], working with Leo [DiCaprio] and Danny Huston in the scene. It was great. I think what was most eye-opening about it was that [Martin] Scorsese was just like any good director you work with.
BRENT SPINER

Eye Shooting Thinking
I had no idea I was part of what was going to be a big mega-hit. I thought I was doing a B sci-fi movie [Independence Day].
BRENT SPINER

Ideas Independence Thinking
I think I worked an average of about 10 minutes a day [in Big Bang Theory series]. It took longer to get to the studio than I actually worked. So I regard the driving there as the actual job. The work itself was just fun.
BRENT SPINER

Fun Jobs Thinking
I’ve gotten some feedback on it from people who’ve seen it and really enjoyed it, but I don’t know.
BRENT SPINER

Enjoyed Feedback People Seen
I don’t know what her budget was or is, but she had sponsors for her show, and we don’t have a sponsor yet, so basically, the difference is, our moms make our costumes.
BRENT SPINER

Costumes Series Studio Worked
Actually, I had a really nice part in that movie [Ladies And Gentlemen, The Fabulous Stains]. I mean, I have, like, one second in the final-cut version, where I say “You’re fired” to Diane Lane. That’s about all you see of me.
BRENT SPINER

Cutting Gentlemen Mean Nice Second Version
As it turns out, sometimes that bites you. In this case, I saw pictures of Earl [Mills], and…I actually met him. He was quite old at the time, but he had this sort of curly red hair, so we did that in the film. I got a perm and had red hair, and… It was a mess.
BRENT SPINER

Country Hair People Red Saws
Most of the time, what I do, somewhere there is comedy in it.
BRENT SPINER

Comedy Most Somewhere Time
Pierre [from Dude, Where’s My Car?] could be the best thing I’ve ever done. When you distill it down to a minute and a half of work, that may be my finest effort.
BRENT SPINER

Car Country Effort Half People
It wasn’t ’til I met Chris Ellis, who directed me in a little thing that was actually for a ride in Universal Singapore, for those of you who happen to be going to Universal Singapore.
BRENT SPINER

Going Happen Little Thing Universal
Martha Coolidge directed the movie [Introducing Dorothy Dandridge], giving me another shot, and it was an amazing experience.
BRENT SPINER

Amazing Directed Experience Introducing
Marianne Williamson, who did A Course In Miracles, she was in my high-school drama class, too. So it was kind of an amazing class.
BRENT SPINER

Amazing Class Kind Miracles School
Joey being one of my finest performances ever. Matt LeBlanc’s basically doing the same thing right now, playing himself on Episodes.
BRENT SPINER

Heart Thinking Way
We would literally grab a shot and run. But Rent Control… I think the total cost was $100,000, and to this director’s credit, I think it looks like $200,000.
BRENT SPINER

Control Director Look Rent Think

The Dain Curse [Tom Fink] was a great job. I was in New York, and I was young – I think I’m 28 years old in that – and I got to work with James Coburn and Jean Simmons and Jason Miller. Plus, it was a Dashiell Hammett story, and I had a great character. It was fantastic to shoot.

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The Dain Curse [Tom Fink] was a great job. I was in New York, and I was young – I think I’m 28 years old in that – and I got to work with James Coburn and Jean Simmons and Jason Miller. Plus, it was a Dashiell Hammett story, and I had a great character. It was fantastic to shoot.

Related Topics

Popular Authors

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