When we talk about adversity, this is the moment when character really gets tested. When things aren’t going the way you want and you can’t see anyway that they’re going to go the way you want. That’s kind of when those old virtues really become valuable and vulnerable also.
GEORGE SAUNDERS…There is no end to the making and selling of things there is no end to the making and selling of things there is no end… Man, it occurs to me, is a joyful, buying-and-selling piece of work. I have been wrong, dead wrong, when I’ve decried consumerism.
More George Saunders Quotes
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I always cheerfully say, “Well, you know, the species is adapting, and whatever it needs to do, it’ll do,” but I do think it’s maybe a little bit alarming.
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In the moment of reading, the writer comes up to the surface and the reader comes up to the surface and they kiss, like two fish. That actually does happen.
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A culture’s ability to understand the world and itself is critical to its survival. But today we are led into the arena of public debate by seers whose main gift is their ability to compel people to continue to watch them.
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I always describe writing a story as throwing bowling pins in the air and then catching them.
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Art is not some inessential frippery – it is the nation’s means of intelligently regarding itself. To cripple or stigmatize the arts is to doom one’s nation to a life of incuriosity, dullness, literalness and the worst kind of rank materialism.
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The other thing that’s useful for me is this notion of the absolute versus the relative:if we walk out and it’s a beautiful morning, it’s only a beautiful morning because we don’t have a broken leg or hemorrhoids or something.
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If I find myself being too earnest and sentimental and hyperbolic and simplistic, which is definitely a tendency I have, then I bring in this perverse henchman.
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I often wonder if there are certain areas of real life that are roped off, with a sign saying, “Art, don’t come in here.” But that’s maybe a deeper question.
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We have to move toward specificity, intelligence, facts, proof, and mutual affection. What I think people have to do now is be very, very assertive about the utter essentiality of intellectual undertakings.
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The one thing fiction and non-fiction writing have in common for me is that sense of trying to get the sentences to be minimal but at the same time be a little overfull – to encourage them to do a kind of poetic work.
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For me, when I’m coming up to a place where I have to make somebody up, it’s almost like driving and taking your hands off the wheel.
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When you talk about a reader being emotionally moved, a feeling of empathy, I think that comes out of that line-by-line respect for reader. That’s actually where it all comes from.
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I think something that I can’t name about our media has made us move away from that kind of specificity and that kind of curiosity.
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If you bring forth what is within you, it will save you. If you do not bring it forth, it will destroy you.
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I’ve always wanted to write energetic, atypical sentences, i.e., sentences that were not normal or bland.
GEORGE SAUNDERS