Your heart is uncomplicated. It knows what it knows and acts accordingly. Greater wisdom is hard to find.
GUILLERMO DEL TOROMovies that look safe are less interesting.
More Guillermo del Toro Quotes
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As a first-time director, you cannot have final cut. But as a producer, you can have final cut.
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Its a bit cloudy in London but people are already drinking out on the streets- God Bless the pubs.
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I’m a movement Nazi. It used to be my way before. Now, in the last three projects. I found a way to let the actors find their comfort and still find the precision in the show. It’s a change in me.
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I am the nice adversary, the guy that’s going to ask the tough questions and is not going to be happy with the quick answer.
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If you don’t take it personally, the partnership between producers and directors is very intimate.
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The fairies in the ancient notion of fairies, they are not positive and cute and twinkly.They can be incredibly nasty or they can be incredibly benign. It’s a really interesting mythology when you dig into it.
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For me, lost causes are the only ones that are worth fighting for. The other stuff is not worth fighting for.
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There are times when you are in despair, because in order not to betray who you are, you don’t compromise, you don’t make movies that would be very lucrative or prestigious or easily understood. And yet I stay attached to the most uncanny premises. It’s never been easy.
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People think you’re like The Godfather, waiting for scripts to come in. But, you’re hustling, you’re desperate, you’re panicked and you’re horrified. The movie you think you’re going to do next, you don’t do. The movie you think you’re never going to do, you make.
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I see horror as part of legitimate film. I don’t see it as an independent genre that has nothing to do with cinema.
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You have to believe the magic to see it.
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I think once a Catholic, always a Catholic. You never escape. I still have Catholic guilt. It is in its basis a really powerful religion and a really strong set of beliefs. They permeate my work in many ways.
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I’m a big fan of the Harry Potter books, but I’d love to do one where one of the kids dies, or one of the main characters dies. I love for those things to have a little bit more tragedy.
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There are a lot of period movies where they say, ‘This is a portrait of Lady Whatever.’ And it’s done in like a 1950s or 60s style.
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You can’t explain success in retrospect. The moment you leap into the void, that moment is impossible to negate, after success.
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