It was a fabulous experience shooting [in the Aviator], working with Leo [DiCaprio] and Danny Huston in the scene. It was great. I think what was most eye-opening about it was that [Martin] Scorsese was just like any good director you work with.
BRENT SPINERWe would literally grab a shot and run. But Rent Control… I think the total cost was $100,000, and to this director’s credit, I think it looks like $200,000.
More Brent Spiner Quotes
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Any job you can go to and have a laugh everyday has got to be a good job.
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We would literally grab a shot and run. But Rent Control… I think the total cost was $100,000, and to this director’s credit, I think it looks like $200,000.
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They were nicely written and nicely directed episodes [Star Trek: Enterprise]. I enjoyed working with Scott [Bakula]. So it was good to do, and, as you said, it did serve to enhance the Soong legacy.
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I think the potential for man is so enormous, if we can stay alive long enough, we’re going to be seeing a lot of what Star Trek is projecting.
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Actually, I had a really nice part in that movie [Ladies And Gentlemen, The Fabulous Stains]. I mean, I have, like, one second in the final-cut version, where I say “You’re fired” to Diane Lane. That’s about all you see of me.
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And the basic sort of thrust of Star Trek being about equality and tolerance and things I believe in deeply.
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I got Greg Aronowitz, who does [ Felicia Day] sets, to do mine as well, and he’s just amazing. He can work miracles with nothing.
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We got to be really good friends [Jack Lemmon and Walter Matthau]. It was just thrilling, every day. Every single day. I had a big couple of musical numbers in [Out to Sea], and I remember doing one of them and shooting it from beginning to end.
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I had a really nice time on [Alphas]. It was a bunch of really good actors, and I was particularly thrilled to be working with David Strathairn.
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Comedy really is my bread and butter, even when I’m doing a serious character, with the exception of Outcast. I have found very little humor in this character.
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That’s what kids were like then. So I really like the movie [Dude, Where’s My Car? ], I think it’s genuinely funny, and I wish I hadn’t been so arrogant about it. And, of course, I didn’t know it was going to be my best work, either.
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I think Rick Berman just called me and asked me if I wanted to do the show [Star Trek: Enterprise], and he said they’d write an arc if I’d do it.
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Martha Coolidge directed the movie [Introducing Dorothy Dandridge], giving me another shot, and it was an amazing experience.
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Having spent so much time in a fictional world, I prefer to read about the real world
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I mean, what a man. Someone who’s done Preston Sturges movies, and I actually got to work with him? And he was great.
BRENT SPINER