If it’s not going to sound like Terrapin Station, what’s the point of playing Terrapin Station?
BRANFORD MARSALISSo much of Jazz doesn’t have an audience other than music students or musicians.
More Branford Marsalis Quotes
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Humans are imperfect. That’s one of the reasons that classical and jazz are in trouble. We’re on the quest for the perfect performance and every note has to be right. Man, every note is not right in life.
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My dad was a musician, it was just what he did, like another guy’s dad drives a meat truck. Our house was normal. We weren’t taken with the fact our dad was a musician.
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So much of Jazz doesn’t have an audience other than music students or musicians.
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The whole point is, give me a break with the standards. You go to the average jazz label and suggest a record and they want to know which standards you’re going to play. I’m saying let’s break the formula.
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If I were like a lot of other people, then it wouldn’t be fun; but since I’m like me, it’s okay.
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One of the things that’s clear to me from interviews that I’ve read is that the more popular successful jazz musicians had audiences above and beyond the music community.
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I don’t care who likes it or buys it. Because if you use that criterion, Mozart would have never written Don Giovanni, Charlie Parker never would have played anything but swing music. There comes a point at which you have to stand up and say, this is what I have to do.
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What you have to do is play a couple of songs and then get off the stage because everything that trails it sounds stupid.
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Coltrane came to New Orleans one day and he was talking about the jazz scene. And Coltrane mentions that the problem with jazz was that there were too few groups.
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When you’re dealing with music without words, titles are more a means of identification than anything else. What’s the point of getting lofty?
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You don’t know what you like, you like what you know. In order to know what you like, you have to know everything.
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It’s hard to get into Newsweek because, as more of our former intellectual magazines take on a pop focus, if there’s no buzz, there’s no interest.
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The way to learn the language is to rip off other players. As Benny Golson told me, “We all start off sounding like other cats.
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Everybody talks about finding your voice. Do your homework and your voice will find you.
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The biggest problem with American music right now, is that kids don’t listen. They come by it honestly, Americans don’t listen anyway.
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