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It is essential for the photographer to know the effect of his lenses. The lens is his eye, and it makes or ruins his pictures.

Bill Brandt

And only the photographer himself knows the effect he wants. He should know by instinct, grounded in experience, what subjects are enhanced by hard or soft, light or dark treatment.
BILL BRANDT

Dark Light Photography
We are most of us too busy, too worried, too intent on proving ourselves right, too obsessed with ideas to stand and stare
BILL BRANDT

Busy Most Obsessed Ourselves Satre Worried
Photographers should follow their own judgment, and not the fads and dictates of others. Photography is still a very new medium and everything is allowed and everything should be tried and dared…
BILL BRANDT

Photography Sports
It is the gift of seeing the life around them clearly and vividly, as something that is exciting in its own right. It is an innate gift, varying in intensity with the individual’s temperament and environment.
BILL BRANDT

Environment Individual Photographer
I photographed what the camera was seeing. I interfered very little, and the lens produced anatomical images and shapes which my eyes had never observed.
BILL BRANDT

Interfere Liter Observed Photographer Shapes
It is part of the photographer’s job to see more intensely than most people do. He must have and keep in him something of the receptiveness of a child who looks at the world for the first time or of the traveler who enters a strange country
BILL BRANDT

Children Country Jobs Receptiveness Something
Very rarely are we able to free our minds of thoughts and emotions and just see for the simple pleasure of seeing. And so long as we fail to do this, so long will the essence of things be hidden from us.
BILL BRANDT

Emotions Essence Hidden Minds Most Pleasure Simple
But I did not always know just what it was I wanted to photograph. I believe it is important for a photographer to discover this, for unless he finds what it is that excites him, what it is that calls forth at once an emotional response, he is unlikely to achieve his best work.
BILL BRANDT

Believe Emotional Photography
When I began to photograph nudes, I let myself be guided by this camera, and instead of photographing what I saw,
BILL BRANDT

Beauty Cameras Eye
It is essential for the photographer to know the effect of his lenses. The lens is his eye, and it makes or ruins his pictures.
BILL BRANDT

Eye Photography Thinking
By temperament I am not unduly excitable and certainly not trigger-happy. I think twice before I shoot and very often do not shoot at all.
BILL BRANDT

Opportunity Photography Thinking
I am not interested in rules or conventions. Photography is not a sport.
BILL BRANDT

Conventions Photography Sports
Indeed, I feel the simplest approach can often be most effective. A subject placed squarely in the center of the frame, if attention is not distracted from it by fussy surroundings, has a simple dignity which makes it all the more impressive.
BILL BRANDT

Approach Dignity Indeed Place Simplest Surroundings
Photography has no rules, it is not a sport. It is the result which counts, no matter how it is achieved.
BILL BRANDT

Matter Photography Sports
The good photographer will produce a competent picture every time whatever his subject. But only when his subject makes and immediate and direct appeal to his own interests will he produce a work of distinction.
BILL BRANDT

Distinction Photographer Produce
A feeling for composition is a great asset. I think it is very much a matter of instinct. It can perhaps be developed, but I doubt if it can be learned.
BILL BRANDT

Asset Develop Leamed Photographer

It is essential for the photographer to know the effect of his lenses. The lens is his eye, and it makes or ruins his pictures.

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It is essential for the photographer to know the effect of his lenses. The lens is his eye, and it makes or ruins his pictures.

Related Topics

Popular Authors

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