Unlike the rest of everyone I hang around with, I don’t drink, so I remember what happened after shows. And I have never hit on anyone after a show, I’m not that kind of person. Even if I was attracted to someone, I’d be too shy.
BRADFORD COXI think people are intimidated by me, and I don’t know why. Sometimes even my own bandmates can be intimidated, or irritated, by me.
More Bradford Cox Quotes
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Audiences tend to dig the earlier stuff by any given musician, and the artists themselves always tend to prefer the thing that they’re doing now.
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In reality, I’ve probably got the lowest self-esteem of anybody I know, which has really been rubbed in my face lately in personal situations.
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For me, experimenting involves traditionalism.
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You read about that Black Lips/Wavves fight as a spectator and you’re like, “Oh man, I’m gonna pick a team to be on!
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We all come back to our little worlds.
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My entire education in music was in reading interviews with bands like Stereolab and finding out about Brazilian music or a Romanian composer. You expose yourself to what people you look up to admire.
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I’ve been going through a lot of… stuff. I need some space, which people were very kind enough to give me, and I feel really gracious about that. Nobody forces me to do things or say things or do interviews.
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There’s not like this separate caste system where it’s like, “I’m the musician, you’re the audience. Never the two shall meet.” It was a case where it was like, “Hey, you know what? I’m on your level, man.”
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When I go on a nostalgia trip it’s not aesthetic. For me it’s about trying to recapture the smell or the feeling of something that I’ve experienced in the past personally.
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A song like “Walkabout”, it’s totally imitative. The goal of that song was to make people happy, and I’ve never really made a song to make people happy before.
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Unfortunately it’s hard for me to be a fanboy for anything these days just because I see so much music.
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I see a lot of people doing an “’80s thing” who weren’t even born until the ’90s.
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I want to build an audience that’s willing to follow us in whichever direction we might choose.
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I don’t like the sound of my own voice. And, for people I don’t know, their impression of me is what they read on the internet, and they’re so far off a lot of the time.
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I like playing at public schools. I like when there’s more of a diverse audience. I’ll play wherever people want to hear my music, and I’ll be glad and grateful for the opportunity, but I’d rather not play for a bunch of white privileged kids.
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