“The kind of people that love ‘The Rocketeer’ are the kind of people that love good storytelling and innocence and a better world, so to speak, so they’re almost always nice people to bump into.”

I would love to see a sequel to ‘The Rocketeer.’ I’d love to see that! I don’t know that I would be in it.

Some of the best auditions I’ve ever had have been when my agent called and said, ‘They want you 20 minutes ago, in an office in Century City, to see you for something.’

To me, the AMC brand is great storytelling – they call it slow-burn storytelling.

The first trip I remember taking was on the train from Virginia up to New York City, watching the summertime countryside rolling past the window. They used white linen tablecloths in the dining car in those days, and real silver.

If I ever get married, I’d like to pick a place so hard to reach that only a few people would turn up-like the North Pole.

Oh, I’m nerdy about science fiction and fantasy and graphic novels and reading, and I’m nerdy about board games.

On land, you can walk away from people, from unpleasant situations. But when you’re on a ship for 14 months with 49 other people, if you don’t resolve your issues it literally could mean – and this would be an extreme circumstance – the sinking of the ship.

I don’t have any complex plans for playing a character. I think all I try to do is not make too many bad guy faces and not ever try to seem too good. I just try to put it in the middle somewhere.

I pretend I’m the producer and I think, “If I was making this movie, would I cast myself in this part?,” and if that doesn’t feel right to me, then I don’t even go audition for it.

My favorite board game is a board game I’m working on right now. It’s a game of Napoleonic era naval warfare, and it’s going to be fun.

The South Downs of England reminded me a bit of my Old Virginia homeland.

A destination wedding weeds out all the people who might potentially get their noses out of joint, so only the troupers would be there.

I grew up 60 minutes way from Richmond, in Charlottesville, Virginia and, as a child, I was obsessed with the Civil War. I used to do re-enactments and all that stuff.

For me, the experience of making the show is very much like being in a novel. I enjoy getting the new script. I make a cup of tea and I read it the same way I would read a book, with the same amount of joy.

There have been times when I’ve been asked to do things and I’ve thought, “This is great! This is a great script. But, I do not believe myself in this role.”

I always know exactly where my stories take place, which gives me something certain so I can use my imagination for the other stuff. I worry though, who wants to keep reading stories about Kalamazoo?

I love pregnancy and the bump and the whole thing.

Sculpture is what you bump into when you back up to see a painting.

Every 20 minutes you’ve got to have a bump, you’ve got to have a change in course, you’ve got to unsettle the audience. It can’t be too predictable so something has to happen. I think that was something that Hitchcock did very well too. You couldn’t let an audience feel too settled in.