Advertising companies hire the very brightest, wittiest young people to write for them. Not one single sentence of it is worth repeating. Why? Because it wasn’t meant.
BRENDA UELANDAdvertising companies hire the very brightest, wittiest young people to write for them. Not one single sentence of it is worth repeating. Why? Because it wasn’t meant.
More Brenda Ueland Quotes
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And so try listening. Listen to your wife, your husband, your father, your mother, your children, your friends; to those who love you and those who don’t, to those who bore you, to your enemies. It will work a small miracle. And perhaps a great one.
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You have to hold your audience in writing to the very end-much more than in talking, when people have to be polite and listen to you.
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Writing is the action of thinking, just as drawing is the action of seeing and composing music is the action of hearing.
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But the great artists like Michelangelo and Blake and Tolstoi–like Christ whom Blake called an artist because he had one of the most creative imaginations that ever was on earth–do not want security, egoistic or materialistic. Why, it never occurs to them.
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To have the external pressure of a job removed is very astonishing. Your own will is now your only motor and it has no horse-power.
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The writer has a feeling and utters it from his true self. The reader reads it and is immediately infected and has exactly the same feeling. This is the whole secret of enchantment and fascination.
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the only way to become a better writer is to become a better person.
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Self-trust is so important. When you launch on a story, make your neck loose, feel free, good-natured. And be lazy. Feel that you are going to throw it away. Try writing utterly unplanned stories and see what comes out.
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And this fear (since the imagination is always creative) comes about presently and you slide down into the complete slump of several weeks or years – the very thing you dreaded and set your jaw against.
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They do not know that ideas come slowly, and that the more clear, tranquil and unstimulated you are, the slower the ideas come, but the better they are.
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These people who are always briskly doing something and as busy as waltzing mice, they have little, sharp, staccato ideas, such as: “I see where I can make an annual cut of $3.47 in my meat budget.” But they have no slow, big ideas.
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You must become aware of the richness in you and come to believe in it and know it is there, so that you can write opulently and with self-trust. If you once become aware of it and have faith in it, you will be all right.
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I found that many gifted people are so afraid of writing a poor story that they cannot summon the nerve to write a single sentence for months.
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When we are listened to, it creates us, makes us unfold and expand. Ideas actually begin to grow within us and come to life.
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…at last I understood that writing was this: an impulse to share with other people a feeling or truth that I myself had.
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If you write something and they all tell you it is bad – editors, critics, everybody – think it over and you may become convinced that they are right (though you are not to be ashamed or discouraged for a minute, but keep on writing).
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Orthodox criticism … is a murderer of talent. And because the most modest and sensitive people are the most talented, having the most imagination and sympathy, these are the first ones to get killed off.
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Now some people when they sit down to write and nothing special comes, no good ideas, are so frightened that they drink a lot of strong coffee to hurry them up, or smoke packages of cigarettes, or take drugs or get drunk.
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Think of yourself as incandescent power, illuminated perhaps and forever talked to by God and his messengers…. Think if Tiffany’s made a mosquito, how wonderful we would think it was!
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But in ordinary fiction, movies, etc, everything is smoothed out to seem plausible–villains made bad, heroes splendid, heroines glamorous, and so on, so that no one believes a word
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If you would shut your door against the children for an hour a day and say: ‘Mother is working on her five-act tragedy in blank verse!’ you would be surprised how they would respect you. They would probably all become playwrights.
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You know, I have come to think listening is love, that’s what it really is.
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Try to discover your true, honest, untheoretical self.
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Work freely and rollickingly as though you were talking to a friend who loves you. Mentally (at least three or four times a day) thumb your nose at all know-it-alls, jeerers, critics, doubters.
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And it is why all the bright women of the world, who if more were expected of them, might do important work, but who instead have a chronic feeling of ineffectiveness and sloth.
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Be bold, free, and truthful.
BRENDA UELAND