When money and fame happen too late, it’s like pouring kerosene over a fire of self-loathing.
BRADFORD COXTalk to Arto Lindsay and I’m sure he’s tired of people asking him about DNA; he’s probably really into what he’s doing now, which is good stuff.
More Bradford Cox Quotes
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People say ‘I don’t want to die alone!’ But you know what, honestly? I don’t want to die with a bunch of people looking at me.
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I’ve been going through some personal things that have stirred up a lot of old wounds.
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I need punk rock. It’s the medicine for me, but it’s bitter and sickening. If you don’t need it – if you’re happy and healthy – run toward that.
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I’m real critical of myself. I think a lot of what I’ve done is boring indie rock. I didn’t intend it to be that way, but somehow milk gets added to everything.
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I’m not the guy in the dress with the blood and the unrequited gay whatever – which, according to my psychiatrist, my gayness is a form of narcissism but you’ll have to ask him about that.
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I think people are intimidated by me, and I don’t know why. Sometimes even my own bandmates can be intimidated, or irritated, by me.
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I was trying to write a song based on a story in a random book of Puerto Rican short stories that I found in a thrift store.
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A song like “Walkabout”, it’s totally imitative. The goal of that song was to make people happy, and I’ve never really made a song to make people happy before.
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There’s not like this separate caste system where it’s like, “I’m the musician, you’re the audience. Never the two shall meet.” It was a case where it was like, “Hey, you know what? I’m on your level, man.”
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When I go on a nostalgia trip it’s not aesthetic. For me it’s about trying to recapture the smell or the feeling of something that I’ve experienced in the past personally.
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I think the younger kids need to realize there’s this whole forgotten 90s that people don’t really talk about.
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Musicians and artists are not… it’s not like politicians or something where you can’t really affect them.
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I want to build an audience that’s willing to follow us in whichever direction we might choose.
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I read a lot – surveys of vernacular music. A lot of it is the Harry Smith Anthology of American Folk Music, which I’ve loved since I was in high school.
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I’ve been going through a lot of… stuff. I need some space, which people were very kind enough to give me, and I feel really gracious about that. Nobody forces me to do things or say things or do interviews.
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