“I have Glocks, .45s, Berettas, Remingtons. I like the marksmanship and the discipline that it takes to be a gun owner. I like the machinery. Being able to take it out and clean it is even more fascinating than having the gun.”

I became the storyteller of South Side Chicago. I used an old Kiwi liquid shoe polish as a microphone. I’d go around the house interviewing everybody, telling stupid jokes, doing voices. I mimicked Sidney Poitier, Sammy Davis Jr., people on ‘Laugh-In,’ Flip Wilson.

I’ve been in training for stardom.

You know, every time it comes, every time that light comes on or every time that camera comes on, every time that microphone comes on, the Mac Man seek and destroy.

Why do people love Richard Pryor so much? ‘Cause he had problems.

My family are police officers, detectives. My brother Mitch is FBI. Mitch is like that – a stern enforcer.

I learned hard lessons in life; I had to because I had so much happen: My mother died my sophomore year in high school. The next year, same day, my brother dropped dead. Two years after that, I got married because my girlfriend got pregnant. The year after my wedding, my father – who I had only recently met – died.

I wasn’t disciplined at all. As good of an athlete as I was, I was not disciplined. Had I had the drive that I have in comedy, and acting, and writing, that’s why I knew it just wasn’t right for me.

I was born October 5, 1957, on the South Side of Chicago, in the Woodlawn area, a neighborhood that hasn’t changed much in forty-five years. Our house was on 66th and Blackstone, but the city tore it down when the rats took over.

I’m funny. I’m a comedian. I’m not a clown.

Making people laugh is what I’ve been doing since I was like four or five years old. I still have a lust, I still have a passion. I don’t care about how I look, I’m dedicated to the laughs.

I want people to say at the end of my day, you know, like I used to say about Sidney Poitier and James Cagney and Joan Crawford and Red Skelton and those guys and Bill Cosby. They did quality and substance. You always remember them.

The one thing about comedy, making it become a part of you, the audience loves it, because you become part of them.

People like rumors. They’re going to say things like, ‘You was at the club with Lil’ Kim, and you and Kanye West got into a fist fight.’ You can’t get upset. You’ve got to keep hope alive.

I want to play a villain – I can’t wait to play a villain.

I’m an ordinary guy with an extraordinary job.

I don’t ever watch myself. By watching, you try to perfect yourself, become a robot.

If you tell a teammate you’re ready to play as tough as you’re able to, you’d better go out there and do it.

Thus I have hopes of being able to achieve something of value through my current studies or with any new ideas that come in the future.

I actually went to study with the Ramapoughs in New York. I wanted to be able to see the mountains and the forest, be around the people.

I want immigration reform to pass, I want people to be able to come out of the shadows.

I think it’s our responsibility as artists to not only fight for our art but fight for the communities that are the reason we’re able to continue making art, especially since, in Brooklyn’s case, we as artists somehow made it ‘cool’ enough for the bigger money-making industries to start taking over.

Statistically, it would seem improbable that any mathematician or scientist, at the age of 66, would be able through continued research efforts, to add much to his or her previous achievements.

Fashion is a way of not having to decide who you are. Style is deciding who you are and being able to perpetuate it.

The physician must be able to tell the antecedents, know the present, and foretell the future — must mediate these things, and have two special objects in view with regard to disease, namely, to do good or to do no harm.