When I was a teenager in Iceland people would throw rocks and shout abuse at me because they thought I was weird. I never got that in London no matter what I wore.
I’m self-sufficient. I spend a lot of time on my own and I shut off quite easily. When I communicate, I communicate 900 per cent, then I shut off, which scares people sometimes.
Maybe that was a strange, personal job between me and myself, to show how overreaching I was being as a woman. The only way I could express that was by comparing it to the universe.
People are always going to need physicality; they’re going to want to meet other people even more. I’ve got faith in the physical angle. People have their needs. They won’t forget about them.
I’m not going to talk like I know about politics, because I’m a total amateur, but maybe I can be a spokesperson for people who aren’t normally interested in politics.
I’ve always appreciated working with people I have chemistry with, who are friends, and where you feel that the work is growing while you are getting to know each other better.
We’re always mourning things that have died. It’s a bit much sometimes. These studios have no fresh air, and there’s this unwritten rule that they don’t have windows, either.
I was very aware when I went to the Academy Awards that it would probably be my first and last time. So I thought my input should really be about fertility, and I thought I’d bring some eggs.
