Analyses that through musicality would be able to connect with people who don’t necessarily have the energy or wish in any exact moment to connect to well-read or critical analysis.
BOCAFLOJAThe racial question, and thus class struggle, of course, I think they are processes which necessarily are intersecting all the time.
More Bocafloja Quotes
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I believe the example of the Zapatistas is a very relevant historical example.
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And those families for generations have maintained themselves in positions of power. Latin America founded itself on everyone being equal, but in reality we aren’t.
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Every day of my life I have been in situations, not just in Mexico, in the US too, in which I identified the form of operation as racism.
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They don’t want to talk about race. The discussion for them is based on class struggle, rich against poor, but doesn’t offer the possibility of a dialogue about racial questions.
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The Latin American Left, the criollos, direct descendents of Spaniards, they don’t want to accept that they are the whites of Latin America.
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We have to remember that the experience of gangsta rap as such in its foundation is an anti-systemic experience primarily.
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In the same imaginary of the Latin American Left exists a racism, a racism that corresponds to processes of colonialism internal to almost all countries in Latin America.
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We should remember what a rapper like Tupac Shakur was doing, to a certain degree, who came from an experience of politicization very close to being a “Panther Baby”.
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The whites have the responsibility to put themselves at attention with the form they operate in with people of color and try to always lay out that pattern to connect with people and say, “I am conscious of my privileges and I am accounting for myself.”
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Racism operates in a lot of ways, and so I live it every day.
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They have to add up all those processes and articulate those privileges to try to equalize the historical process.
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European militants recognize Mumia Abu-Jamal, and the Mexican militants followed their example and legitimated his work because the Europeans said, “Hey, Mumia Abu-Jamal is relevant in the US.
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I believe that we have to play the game of strategy, and understand how to move the pieces because this is how the political spectrum functions.
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Like Syria, like other parts of the Middle East, including conscious Islamic-American rappers that are representing an international political agenda for the United States through cultures more affable for people of color in other parts of the world.
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I think that in the colonial imaginary of the average Mexican, in how it drives us, the economic dependence on the US, and in some cases cultural dependence, is quite palpable, very strong.
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