“I think everybody has a painter inside of them somewhere.”

If you’re a good band then the filter of the band is pretty strong.

I wept heartily over this poor little deceased soul. It was the first sentient being I had ever killed. I was now a killer. I was now as guilty as Cain. I was sixteen years old, a harmless boy, bookish and religious, and now I had blood on my hands. It’s a terrible burden to carry. All sentient life is sacred.

I think if everyone agrees that that’s the goal then it doesn’t matter who’s the band and it doesn’t matter who’s the producer. It just means that that you try to realise the ambition no matter what the situation is or who the people are.

I think that painting is a very ancient form of expression.

The first thing that inspires any song is a chord progression. When I have one I really like, I get into the lyrics even more.

We break the rules, but it’s mostly because we don’t know what the rules are. It’s easy for us to go to certain places, so I’m not surprised that a lot of people were amused by my songwriting style.

I’ve been interested in that subject matter, like lots of people. Perhaps foolishly, I’ve allowed some of that stuff to creep into my music.

We sing some song that we made up but I don’t want to make a record like that.

When we’ve got something to say to the world, we will. I’m really happy that people are interested. “So, what’s up with the Pixies record? So, what’s up with the Pixies record?”

I listen to Neil Young and jazz and classical stations and, if my girlfriend’s driving, it tends to be Hall & Oates.

A lot of my heroes are artists and a lot of my musical heroes have an artistic side.

That’s the most important thing, to get along with people. When you feel like you click with them.

I have always been a singer, a writer, and a musician, not as a prodigy or as in a trade handed to me by my parents, but because of an inner voice or maybe a command from beyond reality as it is usually defined.

Bob Dylan is quite a songwriter, and a great singer and musician. I won’t bother with comparing myself to him, but I will say that I heard his records at a very young age and I still listen to all his records.

I don’t like to have everything all worked out in my head because there’s always a chance of it coming out different than you think it should anyway.

I have had UFO experiences, and yet, at the same time, I can easily be convinced that none of it is true. It’s hard to say whether or not you’re a believer.

You make yourself broad. You make yourself appealing. ‘Hey, y’all, I’m cool with everybody.’ That’s my message.

I never identified with anybody. I have always been very sensitive about my color, because everybody called me ‘yellow gal.’ I was caught in between both sides – nobody wanted me. I love that my audience is there, but I always feel as though I have to fend for myself.

Everybody thinks when I say a guy is a good game manager, that’s a negative, but I think it’s a real positive.

I’ve been honest with a lot of the problems I’ve had in life. Everybody has problems. They can relate to that.

Everybody knows there is no fineness or accuracy of suppression; if you hold down one thing, you hold down the adjoining.

Laughter heals all wounds, and that’s one thing that everybody shares.

My style of comedy is more self-deprecating. I think that makes me more relatable. When you deal with ‘topics’ – race, white versus black – you’re not separating from the pack. You’re doing what everybody else is doing.

In the nineties, everybody wants to talk about their rights and privileges.